| Italic Title: | force |
| A Product of... | |
| Type: | Album |
| Artist: | Thompson Twins |
| Cover: | Thompson-twins-product-of-406321.jpg |
| Released: | 5 June 1981[1] |
| Recorded: | April 1981 |
| Genre: | |
| Label: | T Records |
| Producer: |
|
| Next Title: | Set |
| Next Year: | 1982 |
A Product of... (sometimes known as A Product of... Participation) is the first studio album by the English pop group the Thompson Twins. It was released in June 1981 on the T Records imprint, a label created by the band and distributed through the Fame/EMI label. At the time of its release, the band were a six-piece group that did not include later member Alannah Currie (although she is thanked in the credits for "playing and singing" on the record). In comparison to the glamour of their later years, the group had a somewhat scruffy image during this period, because they were very poor and living in squats in London.
The self-produced album had a post-punk sound that was heavily influenced by African rhythms and chants. The band had already built a strong reputation for themselves due to their live shows, where often members of the audience were encouraged to join the band onstage and pound along with them on makeshift percussion such as hubcaps and pieces of metal.
All of the songs on the album were written by the band themselves, except for two ethnic traditionals, both arranged by Tom Bailey.
In September 2008, the band's first two albums, A Product of... and Set, were released as a double CD. This version included their earliest singles, non-album tracks, and extended remixes.
Contemporarily, Harlow Star critic Roger Fulton commented on the album's numerous influences, including Talking Heads, but believed that "thoughts of the Thompson Twins merely being an amalgam of other people's sounds are quickly dispelled by some of the wildest rhythms this side of the Sahara", praising the band for writing "thinking, thoughtful songs" (such as "Politics", "Perfect Game" and "Slave Trade") in addition to "invigorating rhythmic excursions" like "Oumma Aularesso" that are "adventurous and completely engaging". However, he did believe that the band's live shows were "even better" than the album.[2]
Retrospectively, the album is regarded as the first of two experimental pop records that the Thompson Twins recorded before moving towards a more mainstream sound.[3] AllMusic writer Evan Cater commented that A Product Of... (Participation) was drastically different than the group's later pop records, being "more experimental and more guitar based than the keyboard dominated hits of Into the Gap and Here's to Future Days", as well as favouring "murky tuneless noodling" over the pop hooks they were later known for. He noted the album's international theme, exemplified by the artwork, the heavy influence from African music (most notably on "Slave Trade" and "Oumma Aularesso (Animal Laugh)," the latter of which was a traditional Sierra Leone song rearranged by Bailey), as well as the reinterpretation of the Gregorian chant "Vendredi Saint" as either "an Asian or African chant (it isn't entirely clear which)."[4]
Ira Robbins of Trouser Press noted that in addition to playing their primary instruments, all six musicians contribute percussion. However, he notes that the "cleverness and variety of the tracks ... eliminate any potential monotony that might have resulted from the heavy reliance on rhythm. And although the music is designed to incite maximum motion, there isn’t one track that skimps on lyrical, melodic or structural depth." He concluded that while the record is not "uniformly wonderful", its textures and sounds "make it pleasurable and energizing."[5] Colin Larkin wrote in The Virgin Encyclopedia of Popular Music (1997) that, despite the group's invigorating, punk-esque live shows prior to the album, in which they invited audience members to beat rhythms to their songs, A Product Of... (Participation) "showed a band struggling to make the transition from stage to studio". Also negative in his reappraisal, Dave Marsh rated the album two stars out of five in The Rolling Stone Album Guide (1983). Referring to the album as "a conglomeration of pop, reggae funk and African rhythms", he concluded that the music is "engaging but lacks real substance."[6]
All tracks composed by Thompson Twins; except where indicated