A Love Trilogy | |
Type: | Album |
Artist: | Donna Summer |
Cover: | A_Love_Trilogy.jpg |
Released: | March 5, 1976 |
Recorded: | August–December 1975 |
Studio: | Musicland, Munich |
Genre: | Disco[1] |
Length: | 33:49 |
Label: | Oasis/Casablanca |
Producer: | Giorgio Moroder, Pete Bellotte |
Prev Title: | Love to Love You Baby |
Prev Year: | 1975 |
Next Title: | Four Seasons of Love |
Next Year: | 1976 |
A Love Trilogy is the third studio album by American singer and songwriter Donna Summer. It was released on March 5, 1976, eight months after her international breakthrough with the single and album of the same name – "Love to Love You Baby". The bold, sexual nature of that particular song had earned Summer the title 'the first lady of love'. By now Summer's work was being distributed in the U.S. by Casablanca Records, and the label encouraged Summer, Moroder and team to continue in this vein. A Love Trilogy uses the first side for one long disco track in three distinct movements 'Try Me', 'I Know', 'We Can Make It', and coalescing into the "love trilogy" of the title – "Try Me, I Know We Can Make It". Side two contained three additional erotic disco songs, including a cover of Barry Manilow's "Could It Be Magic". The album's artwork showed Summer floating light-heartedly through the clouds, again adding to the image of her as a fantasy figure.
The album sold well across the world (it was her second consecutive album to be certified Gold in the United States) and again topped the national US Disco charts. Edited versions of "Try Me, I Know We Can Make It" and "Could It Be Magic" did not reach the top forty on the Billboard Hot 100, but the latter was a sizable R&B hit (#21) and disco hit (#3). Casablanca released a 12-inch version of "Try Me I Know We Can Make It" with "Love to Love You Baby" on the reverse side. The single "Could It Be Magic" was a Top 5 hit in the Netherlands.
The album did not fare so well in the UK where it reached only the no. 41 spot in September, six months after its initial release.[2] Likewise the single "Could It Be Magic" which only reached no. 40.[3]
All tracks produced by Pete Bellotte and Giorgio Moroder.
The musicians collectively known as the "Munich Machine" worked on a variety of Moroder/Bellotte productions from this period.
Production
Peak position | |
Australian Albums (Kent Music Report)[4] | 32 |
---|---|
Finnish Albums (Suomen virallinen lista)[5] | 14 |
Italian Albums (Musica e dischi)[6] | 4 |
Portuguese Albums (Musica & Som)[7] | 4 |
Spanish Albums (AFE)[8] | 1 |