| A Far Cry from Dead | |
| Type: | compilation |
| Artist: | Townes Van Zandt |
| Cover: | A Far Cry from Dead.jpg |
| Released: | 1999 |
| Genre: | Country, folk |
| Label: | Arista Austin[1] |
| Producer: | Eric Paul |
| Prev Title: | In Pain |
| Prev Year: | 1999 |
| Next Title: | Drama Falls Like Teardrops |
| Next Year: | 2000 |
A Far Cry from Dead is a posthumous album by Townes Van Zandt, released two years after the singer's 1997 death.[2] [3] It contains overdubbed instrumentation added to vocal and guitar recordings made by the late singer. It was Van Zandt's first album on a major label.[4]
The recordings were constructed from DAT tapes provided to producer Eric Paul by the singer's widow, Jeanene.[5] [6] Richard Bennett played guitar on the album; Kenny Malone and Charlie McCoy also contributed to it.[7] [8]
"Squash" and "Sanitarium Blues" had never before been released.[9]
Entertainment Weekly deemed the album "the best introduction yet to this master craftsman's dour magic." Texas Monthly thought that "the problem is that a producer and a bunch of studio musicians are filling the spaces in Van Zandt’s barren landscape with angel bells and precision acoustic guitars; the album feels like their creation, not his."[10] The Los Angeles Times noted that "the essential track ... features the subtlest musical additions—'Waitin' 'Round to Die', written back in 1968, was spooky enough when the singer was young ... Here it sounds like a voice from beyond the grave saying, 'I told you so.'"
CMJ New Music Monthly acknowledged the "best intentions" behind the album, but called it "terribly uncharacteristic" of Van Zandt's work.[11] The Des Moines Register stated that Van Zandt's "vocal performances are poignant and often chilling." Rolling Stone opined: "Occasionally, the producer's enthusiasm overpowers the beauty of Van Zandt's words; 'For the Sake of the Song' is better served by the plaintive reading of the 1969 original than by the booming version here."
AllMusic wrote that "the blunt reality of the aborted relationships in 'Many a Fine Lady,' for example, and the exalted freedom of 'To Live's to Fly' do more to broadcast his mastery than the magazine covers he always seemed to be overlooked for."
All songs written by Townes Van Zandt