8 | |
Type: | studio |
Artist: | The Spinners |
Cover: | The Spinners - 8.jpg |
Alt: | A graphic of a number 8 in a circle that appears to be made of metal on a black background |
Studio: |
|
Genre: | Soul |
Language: | English |
Label: | Atlantic |
Producer: | Thom Bell |
Prev Title: | Yesterday, Today, & Tomorrow |
Prev Year: | 1977 |
Next Title: | The Best of the Spinners |
Next Year: | 1978 |
8 is a studio album by American soul vocal group The Spinners, released in 1977. The recording represents a transition in the band's make-up that led to a commercial and critical decline.
8 was recorded and released after Yesterday, Today, & Tomorrow, a studio album made up of two distinct sessions: one recorded during the making of Happiness Is Being with the Spinners in 1976, representing the last recordings with Philippé Wynne and the other with the first recordings featuring his replacement, John Edwards. Wynne departed to pursue a solo album and music business career and the remaining group continued recording with producer Thom Bell through 1978, but neither Wynn nor The Spinners would achieve the critical and commercial success they had during their run of 1970s albums. The Spinners promoted this album with a tour that included a brief residency in Los Angeles at Pantages Theater that included several fellow soul music acts; they also did radio promotions, an album-signing event, and a string of television appearances.
The editors of AllMusic Guide scored 8 two out of five stars, with reviewer Jason Elias noting that the loss of Wynne as a vocalist negatively impacted The Spinners, with their producer Bell having "no idea what to do" with Edwards; he notes that several tracks are successful, but "the bad outweighs the good here, making Spinners/8 the most problematic album Bell produced for the group".
The Spinners
(Early Sessions)Additional musicians (see MFSB)
Technical personnel
Domestically, 8 entered the Billboard R&B chart on December 17, 1977 at 47 and peaked at 34 during a 10-week run; it reached 57 on the Billboard 200 and spent 13 weeks on the chart (it does not appear in the March 25, 1978 issue). In Canada, it topped out at 72, according to RPM.