| 2017 Cannes Film Festival | |
| Opening: | Ismael's Ghosts |
| Closing: | The Square |
| Location: | Cannes, France |
| Founded: | 1946 |
| Awards: | Palme d'Or The Square |
| Host: | Monica Bellucci |
| Number: | 19 (In Competition) 18 (Un Certain Regard) 9 (Short films) |
| Date: | 17–28 May 2017 |
| Main: | Cannes Film Festival |
| Previous: | 2016 |
| Next: | 2018 |
The 70th Cannes Film Festival took place from 17 to 28 May 2017, in Cannes, France.[1] Spanish film director and screenwriter Pedro Almodóvar was the president of the jury for the festival and Italian actress Monica Bellucci hosted the opening and closing ceremonies.[2] [3] Ismael's Ghosts, directed by French director Arnaud Desplechin, was the opening film for the festival.
The festival celebrated its 70th edition. In late March 2017, the official poster of the festival was revealed featuring Italian actress Claudia Cardinale. The actress responded, "'I am honoured and proud to be flying the flag for the 70th Festival de Cannes, and delighted with this choice of photo. It's the image I myself have of the Festival, of an event that illuminates everything around ... Happy anniversary!"[4]
The Palme d'Or was awarded to the Swedish film, The Square directed by Ruben Östlund, which also served as the closing night film of the festival.[5] [6] [7]
The films competing in the main competition section for the Palme d'Or were announced at a press conference on 13 April 2017:[13] [14] The Palme d'Or winner has been
highlighted.| English title | Original title | Director(s) | Production country | |||
|---|---|---|---|---|---|---|
| Amant Double | data-sort-value="Amant" | L'Amant double | data-sort-value="Ozon" | France | ||
| The Beguiled | data-sort-value="Coppola" | United States | ||||
| BPM (Beats per Minute) (QP) | 120 battements par minute | data-sort-value="Campillo" | France | |||
| data-sort-value="Day After" | The Day After | data-sort-value="Geu-hu" | 그 후 | data-sort-value="Sang-soo" | South Korea | |
| A Gentle Creature | Кроткая | data-sort-value="Loznitsa" | France, Ukraine, Germany, Latvia, Lithuania, Netherlands, Russia | |||
| Good Time | data-sort-value="Safdie" | United States | ||||
| Happy End | data-sort-value="Haneke" | France, Germany, Austria | ||||
| In the Fade | Aus dem Nichts | data-sort-value="Akin" | Germany | |||
| Jupiter's Moon | Jupiter holdja | data-sort-value="Mundruczó" | Hungary | |||
| The Killing of a Sacred Deer | data-sort-value="Lanthimos" | Ireland, United Kingdom, United States | ||||
| Loveless | data-sort-value="Nelyubov" | Нелюбовь | data-sort-value="Zvyagintsev" | Russia | ||
| The Meyerowitz Stories (New and Selected) | data-sort-value="Baumbach" | United States | ||||
| Okja | data-sort-value="Okja" | 옥자 | data-sort-value="Joon-ho" | South Korea, United States | ||
| Radiance | data-sort-value="Hikari" | 光 | data-sort-value="Kawase" | Japan | ||
| Redoubtable | data-sort-value="Redoutable" | Le Redoutable | data-sort-value="Hazanavicius" | France | ||
| Rodin | data-sort-value="Doillon" | France, Belgium | ||||
| The Square (closing film) | data-sort-value="Ostlund" | Ruben Östlund | Sweden, Germany, France, Denmark | |||
| Wonderstruck | data-sort-value="Haynes" | United States | ||||
| You Were Never Really Here | data-sort-value="Ramsay" | United Kingdom, United States, France | ||||
(QP) indicates film eligible for the Queer Palm.
The films competing in the Un Certain Regard section were announced at a press conference on 13 April 2017. Barbara, directed by Mathieu Amalric, was announced as the opening film for the Un Certain Regard section.[13] [14] The Un Certain Regard Prize winner has been
highlighted.| English title | Original title | Director(s) | Production country | ||||
|---|---|---|---|---|---|---|---|
| After the War (CdO) | Après la guerre | data-sort-value="Zambrano" | France | ||||
| April's Daughter | data-sort-value="Hijas" | Las hijas de abril | data-sort-value="Franco" | Mexico | |||
| Barbara (opening film) | data-sort-value="Amalric" | France | |||||
| Beauty and the Dogs | data-sort-value="Aala" | على كف عفريت | data-sort-value="Hania" | France, Tunisia, Sweden, Norway, Lebanon, Switzerland | |||
| Before We Vanish | data-sort-value="Sanpo" | 散歩する侵略者 | data-sort-value="Kurosawa" | Japan | |||
| Closeness (CdO) | data-sort-value="Tesnota" | Теснота | data-sort-value="Balagov" | Russia | |||
| data-sort-value="Desert" | The Desert Bride (CdO) | data-sort-value="Novia" | La novia del desierto | data-sort-value="Atan" | Cecilia Atán, Valeria Pivato | Argentina, Chile | |
| Directions | data-sort-value="Posoki" | Посоки | data-sort-value="Komandarev" | Bulgaria, Germany, Republic of Macedonia | |||
| Fortunata | data-sort-value="Castellitto" | Italy | |||||
| data-sort-value="Man of" | A Man of Integrity | data-sort-value="Lerd" | لِرد | data-sort-value="Rasoulof" | Mohammad Rasoulof | Iran | |
| Montparnasse Bienvenue (CdO) | Jeune Femme | data-sort-value="Serraille" | Léonor Serraille | France, Belgium | |||
| Out (CdO) | Vychladnutie | data-sort-value="Kristóf" | György Kristóf | Slovakia, United States | |||
| data-sort-value="Summit" | The Summit[15] | data-sort-value="Cordillera" | La cordillera | data-sort-value="Mitre" | Argentina, France, Spain | ||
| Until the Birds Return (CdO) | En Attendant les hirondelles | data-sort-value="Moussaoui" | France | ||||
| Walking Past the Future | data-sort-value="Luguo" | 路過未來 | data-sort-value="Ruijun" | China | |||
| Western | data-sort-value="Grisebach" | Germany, Austria, Bulgaria | |||||
| Wind River (CdO) | data-sort-value="Sheridan" | United States, United Kingdom, Canada | |||||
| data-sort-value="Workshop" | The Workshop | data-sort-value="Atelier" | L'Atelier | data-sort-value="Cantet" | France | ||
(CdO) indicates film eligible for the Caméra d'Or as directorial debut feature.
The following films were selected to be screened out of competition:[13] [14]
| English title | Original title | Director(s) | Production country |
|---|---|---|---|
| Based on a True Story | D'après une histoire vraie | France, Belgium | |
| Blade of the Immortal | 無限の住人 | Japan | |
| Faces Places (ŒdO) | Visages Villages | France | |
| How to Talk to Girls at Parties ‡ | United Kingdom, United States | ||
| Ismael's Ghosts (opening film) | Les fantômes d'Ismaël | France | |
| Midnight Screenings | |||
| A Prayer Before Dawn | France, United Kingdom | ||
| The Merciless | 불한당 | South Korea | |
| The Villainess | 악녀 | ||
(ŒdO) indicates film eligible for the Œil d'or as documentary.
The following films were selected to receive a special screening:
| English title | Original title | Director(s) | Prod. country | |||
|---|---|---|---|---|---|---|
| 12 Days (ŒdO) | 12 Jours | data-sort-value="Depardon" | France | |||
| Claire's Camera | data-sort-value="Camera" | La caméra de Claire | data-sort-value="Sang-soo" | South Korea, France | ||
| Demons in Paradise (CdO) (ŒdO) | data-sort-value="Ratnam" | Jude Ratnam | France, Sri Lanka | |||
| Golden Years (QP) | Nos années folles | data-sort-value="Techine" | France | |||
| (ŒdO) | data-sort-value="Cohen" | United States | ||||
| Napalm (ŒdO) | data-sort-value="Lanzmann" | France | ||||
| Plot 35 (ŒdO) | Carré 35 | data-sort-value="Caravaca" | France, Germany | |||
| Promised Land (ŒdO) | data-sort-value="Jarecki" | United States | ||||
| Sea Sorrow (ŒdO) | data-sort-value="Redgrave" | United Kingdom | ||||
| They (CdO) (QP) | data-sort-value="Ghazvinizadeh" | Anahita Ghazvinizadeh | United States, Denmark, Qatar | |||
| data-sort-value="Venerable" | The Venerable W. (ŒdO) | data-sort-value="Venerable" | Le Vénérable W. | data-sort-value="Schroeder" | France, Switzerland | |
| Zombillenium (CdO) | Zombillénium | data-sort-value="Pins" | Arthur de Pins, Alexis Ducord | France, Belgium | ||
(CdO) indicates film eligible for the Caméra d'Or as directorial debut feature.
(ŒdO) film eligible for the Œil d'or as documentary.
(QP) film eligible for the Queer Palm.
| Title | Director(s) | Prod. country | ||
|---|---|---|---|---|
| 24 Frames | data-sort-value="Kiarostami" | Iran | ||
| Come Swim | data-sort-value="Stewart" | United States | ||
| (6 episodes) | data-sort-value="Campion" | United Kingdom, Australia, New Zealand, United States | ||
| (Part 1 and 2) | data-sort-value="Lynch" | United States |
The Cinéfondation section focuses on films made by students at film schools. The following 16 entries (14 fiction films and 2 animation films) were selected out of 2,600 submissions. Four of the films selected represent schools participating in Cinéfondation for the first time. The winner of the Cinéfondation First Prize has been
highlighted.| English title | Original title | Director(s) | School | ||
|---|---|---|---|---|---|
| Afternoon Clouds | data-sort-value="Kapadia" | FTII, India | |||
| Animal | data-sort-value="Heyvan" | حیوان | data-sort-value="Ark" | Bahman and Bahram Ark | Iranian National School of Cinema, Iran |
| Atlantis, 2003 | data-sort-value="Atlantida" | Атлантида, 2003 | data-sort-value="Blasko" | Michal Blaško | FTF VŠMU, Slovakia |
| Breathless | data-sort-value="A perdre" | À perdre haleine | data-sort-value="Krawczyk" | Léa Krawczyk | La Poudrière, France |
| Camouflage | data-sort-value="Ozbilge" | Imge Özbilge | KASK, Belgium | ||
| Empty on the Outside | Vazio do Lado de Fora | data-sort-value="Pinto" | Eduardo Brandão Pinto | UFF, Brazil | |
| Give Up The Ghost | data-sort-value="Mathias" | Marian Mathias | NYU Tisch School of the Arts, United States | ||
| Heritage | בן ממשיך | data-sort-value="Aharoni" | Yuval Aharoni | TAU, Israel | |
| Invisibly | Láthatatlan | data-sort-value="Szentpéteri" | Áron Szentpéteri | Academy of Drama and Film in Budapest, Hungary | |
| Lejla | data-sort-value="Bouma" | Stijn Bouma | Sarajevo Film Academy, Bosnia and Herzegovina | ||
| Little Manifesto Against Solemn Cinema | Pequeño manifiesto en contra del cine solemne | data-sort-value="Porta" | Roberto Porta | Universidad del Cine, Argentina | |
| Paul Is Here | Paul est là | data-sort-value="Maurel" | Valentina Maurel | INSAS, Belgium | |
| Tokeru | data-sort-value="Tokeru" | 溶ける | data-sort-value="Igashi" | Aya Igashi | Toho Gakuen Film Techniques Training College, Japan |
| Towards the Sun | data-sort-value="Yin shian" | 迎向邊疆公路 | data-sort-value="Yi-ling" | Wang Yi-ling | NTUA, Taiwan |
| Two Youths Died | Deux Égarés sont morts | data-sort-value="Usberti" | Tommaso Usberti | La Fémis, France | |
| Wild Horses | data-sort-value="Stewart" | Rory Stewart | NFTS, United Kingdom | ||
Out of 4,843 entries, the following films were selected to compete for the Short Film Palme d'Or.[16] The Short film Palme d'Or winner has been
highlighted.| English title | Original title | Director(s) | Production country | |||
|---|---|---|---|---|---|---|
| Across My Land | data-sort-value="Godivier" | Fiona Godivier | United States | |||
| data-sort-value="Ceiling" | The Ceiling | Katto | data-sort-value="Airaksinen" | Teppo Airaksinen | Finland | |
| Damiana | data-sort-value="Pulido" | Andrés Ramírez Pulido | Colombia | |||
| A Drowning Man | data-sort-value="Fleifel" | United Kingdom, Denmark, Greece | ||||
| data-sort-value="Gentle" | A Gentle Night | data-sort-value="Xiao" | 小城二月 | data-sort-value="Yang" | Qiu Yang | China |
| Grandpa Walrus | Pépé le morse | data-sort-value="Andreae" | Lucrèce Andreae | France | ||
| Lunch Time | وقت ناهار | data-sort-value="Ghasemi" | Iran | |||
| Push It | data-sort-value="Thelin" | Julia Thelin | Sweden | |||
| Time to Go | Koniec widzenia | data-sort-value="Mołda" | Grzegorz Mołda | Poland | ||
The full line-up for the Cannes Classics section was announced on 3 May 2017.[17]
| English title | Original title | Director(s) | Production country | |||
|---|---|---|---|---|---|---|
| Restorations | ||||||
| All That Jazz (1979) | data-sort-value="Fosse" | United States | ||||
| L'Atalante (1934) | data-sort-value="Vigo" | France | ||||
| Babatu (1976) | Babatou, les trois conseils | data-sort-value="Rouch" | Niger, France | |||
| data-sort-value="Ballad" | The Ballad of Narayama (1983) | data-sort-value="Narayama" | 楢山節考 | data-sort-value="Imamura" | Japan | |
| data-sort-value="Battle" | The Battle of the Rails (1946) | data-sort-value="Bataille" | La Bataille du rail | data-sort-value="Clement" | France | |
| Belle de Jour (1967) | Belle de jour | data-sort-value="Buñuel" | France, Italy | |||
| Blow-Up (1966) | Blowup | data-sort-value="Antonioni" | United Kingdom, Italy, United States | |||
| Dream of Light aka The Quince Tree Sun (1992) | data-sort-value="Sol del" | El sol del membrillo | data-sort-value="Erice" | Spain | ||
| Duo (1968) | Pas de deux | data-sort-value="McLaren" | Canada | |||
| data-sort-value="Earrings" | The Earrings of Madame de... (1953) | Madame de... | data-sort-value="Ophuls" | France, Italy | ||
| Harpya (1979) | data-sort-value="Servais" | Belgium | ||||
| I Even Met Happy Gypsies (1967) | Skupljači perja | data-sort-value="Petrović" | Yugoslavia | |||
| In the Realm of the Senses (1976) | data-sort-value="Ai no" | 愛のコリーダ | data-sort-value="Oshima" | Japan, France | ||
| L'Interview (1998) | data-sort-value="Giannoli" | France | ||||
| Lucía (1968) | data-sort-value="Solas" | Cuba | ||||
| Man of Iron (1981) | Człowiek z żelaza | data-sort-value="Wajda" | Poland | |||
| Matzor (1969) | מצור | data-sort-value="Tofano" | Gilberto Tofano | Israel | ||
| Merry-Go-Round (1956) | Körhinta | data-sort-value="Fabri" | Hungary | |||
| Mirror of Holland (1950) | Spiegel van Holland | data-sort-value="Haanstra" | Netherlands | |||
| Native Son (1951) | data-sort-value="Chenal" | Argentina, United States | ||||
| Soleil O (1970) | data-sort-value="Hondo" | France, Mauritania | ||||
| Paparazzi (1964) | data-sort-value="Rozier" | France | ||||
| Peel (1986) | data-sort-value="Campion" | Australia | ||||
| A River Runs Through It (1992) | data-sort-value="Redford" | United States | ||||
| data-sort-value="Seine" | The Seine Meets Paris (1957) | data-sort-value="Seine" | La Seine a rencontré Paris | data-sort-value="Ivens" | France | |
| Unforgiven (1992) | data-sort-value="Eastwood" | United States | ||||
| data-sort-value="Wages" | The Wages of Fear (1953) | data-sort-value="Salaire" | Le Salaire de la peur | data-sort-value="Clouzot" | France, Italy | |
| data-sort-value="Way" | The Way (1982) | Yol | data-sort-value="Guney" | Turkey, Switzerland, France | ||
| When the Day Breaks (1999) | data-sort-value="Forbis" | Canada | ||||
| Whither? (1957) | data-sort-value="Ila ayn" | إلى أين؟ | data-sort-value="Nasser" | Lebanon | ||
| Documentaries about Cinema | ||||||
| Becoming Cary Grant (ŒdO) | Mark Kidel | United States, United Kingdom, France | ||||
| The Belgian Road to Cannes (ŒdO) | La belge histoire du Festival de Cannes | Henri de Gerlache | Belgium | |||
| David Stratton: A Cinematic Life (ŒdO) | Sally Aitken | Australia | ||||
| Filmworker (ŒdO) | Tony Zierra | United States | ||||
| Restless Child (ŒdO) | Jean Douchet, l'enfant agité | Fabien Hagège, Guillaume Namur, Vincent Haasser | France | |||
(ŒdO) indicates film eligible for the Œil d'or as documentary.
The Cinéma de la Plage is a part of the Official Selection of the festival. The outdoors screenings at the beach cinema of Cannes are open to the public.[18]
| Evening | English title | Original title | Director(s) | Country | ||||
|---|---|---|---|---|---|---|---|---|
| data-sort-value="18" | Thursday 18 | All About My Mother (1999) | Todo sobre mi madre | data-sort-value="Almodóvar" | Spain | |||
| data-sort-value="19" | Friday 19 | Bugsy Malone (1976) | data-sort-value="Parker" | United Kingdom | ||||
| data-sort-value="20" | Saturday 20 | Saturday Night Fever (1977) | data-sort-value="Badham" | United States | ||||
| data-sort-value="23" | Tuesday 23 | Missing (1982) | data-sort-value="Gavras" | |||||
| data-sort-value="24" | Wednesday 24 | Chariots Of Fire (1981) | data-sort-value="Hudson" | United Kingdom | ||||
| data-sort-value="25" | Thursday 25 | Djam (2017) | data-sort-value="Gatlif" | France, Greece, Turkey | ||||
| data-sort-value="26" | Friday 26 | Weekend at Dunkirk (1964) | Week-end à Zuydcoote | data-sort-value="Verneuil" | France, Italy | |||
| data-sort-value="27" | Thursday 27 | August 32nd on Earth (1998) | data-sort-value="32 Août" | Un 32 Août sur terre | data-sort-value="Villeneuve" | Canada | ||
The full selection for the Critics' Week section was announced on 21 April 2017, at the section's website.[19] [20] Sicilian Ghost Story, directed by Fabio Grassadonia and Antonio Piazza, was selected as the opening film for the Critics' Week section, while Brigsby Bear, directed by Dave McCary, was selected as its closing film. The feature film competition included, for the first time in the section's history, an animated film and a documentary film.
The winner of the Nespresso Grand Prize has been
highlighted:| English title | Original title | Director(s) | Production country | |||
|---|---|---|---|---|---|---|
| Ava (CdO) | data-sort-value="Mysius" | France | ||||
| data-sort-value="Family" | The Family (CdO) | data-sort-value="Familia" | La familia | data-sort-value="Cordova" | Gustavo Rondón Córdova | Venezuela, Chile, Norway |
| Gabriel and the Mountain | Gabriel e a montanha | data-sort-value="Barbosa" | Fellipe Gamarano Barbosa | Brazil, France | ||
| Makala (ŒdO) | data-sort-value="Gras" | Emmanuel Gras | France | |||
| Oh Lucy! (CdO) | data-sort-value="Hirayanagi" | Japan, United States | ||||
| Los Perros | data-sort-value="Said" | Chile, France | ||||
| Tehran Taboo (CdO) | data-sort-value="Soozandeh" | Germany, Austria | ||||
(CdO) indicates film eligible for the Caméra d'Or as directorial debut feature.
(ŒdO) film eligible for the Œil d'or as documentary.
The winner of the Discovery Award for Short Film has been
highlighted:| English title | Original title | Director(s) | Production country | ||
|---|---|---|---|---|---|
| data-sort-value="Best" | The Best Fireworks Ever | Najpiękniejsze fajerwerki ever | data-sort-value="Terpińska" | Aleksandra Terpińska | Poland |
| Children Leave at Dawn | data-sort-value="Enfants" | Les Enfants partent à l'aube | data-sort-value="Coubia" | Manon Coubia | France |
| Los Desheredados (ŒdO) | data-sort-value="Ferrés" | Laura Ferrés | Spain | ||
| Ela - Sketches on a Departure | Ela - Szkice na Pozegnanie | data-sort-value="Kusio" | Oliver Adam Kusio | Germany | |
| Exposure | data-sort-value="Visage" | Le Visage | data-sort-value="Lista" | Salvatore Lista | France |
| Jodilerks Dela Cruz, Employee of the Month | data-sort-value="Manatad" | Philippines, Singapore | |||
| Möbius | data-sort-value="Kuhn" | United States, Canada | |||
| Real Gods Require Blood | data-sort-value="Hussain" | Moin Hussain | United Kingdom | ||
| Selva | data-sort-value="Ubeda" | Sofía Quirós Ubeda | Costa Rica, Argentina, Chile | ||
| Tesla: lumière mondiale | data-sort-value="Rankin" | Canada | |||
(ŒdO) indicates film eligible for the Œil d'or as documentary.
| English title | Original title | Director(s) | Production country | ||||
|---|---|---|---|---|---|---|---|
| After School Knife Fight | data-sort-value="Poggi" | France | |||||
| Bad Bunny | Coelho Mau | data-sort-value="Conceição" | Portugal, France | ||||
| Bloody Milk (CdO) | Petit Paysan | data-sort-value="Charuel" | Hubert Charuel | France | |||
| Brigsby Bear (CdO) (closing film) | data-sort-value="McCary" | United States | |||||
| Islands | data-sort-value="Iles" | Les Îles | data-sort-value="Gonzalez" | France | |||
| Sicilian Ghost Story (opening film) | data-sort-value="Grassadonia" | Italy | |||||
| data-sort-value="Violent" | A Violent Life | data-sort-value="Vie" | Une vie violente | data-sort-value="Peretti" | Thierry de Peretti | France | |
(CdO) indicates film eligible for the Caméra d'Or as directorial debut feature.
The full selection for the Directors' Fortnight section was announced on 20 April 2017, at the section's website.[21] [22] [23] Let the Sunshine In, directed by Claire Denis, was selected as the opening film for the Directors' Fortnight section and Patti Cake$, directed by Geremy Jasper, was selected as the closing film for the Directors' Fortnight section.
The winner of the Art Cinema Award has been
highlighted:| English title | Original title | Director(s) | Production country | |||
|---|---|---|---|---|---|---|
| A Ciambra | data-sort-value="Carpignano" | Italy, France, Germany | ||||
| Alive in France (ŒdO) | data-sort-value="Ferrara" | France | ||||
| Bushwick | data-sort-value="Murnion" | Cary Murnion, Jonathan Milott | United States | |||
| data-sort-value="Dragon" | The Dragon Defense (CdO) | data-sort-value="Defensa" | La Defensa del Dragón | data-sort-value="Santa" | Natalia Santa | Colombia |
| The Florida Project | data-sort-value="Baker" | United States | ||||
| Frost | data-sort-value="Bartas" | Lithuania, France, Poland, Ukraine | ||||
| I Am Not a Witch (CdO) | data-sort-value="Nyoni" | United Kingdom, France | ||||
| data-sort-value="Intruder" | The Intruder | data-sort-value="Intrusa" | L'Intrusa | data-sort-value="Costanzo" | Italy, France, Switzerland | |
| Jeannette, l'enfance de Jeanne d'Arc | data-sort-value="Dumont" | France | ||||
| Just to Be Sure | Ôtez-moi d'un Doute | data-sort-value="Tardieu" | Carine Tardieu | France, Belgium | ||
| Let the Sunshine In (opening film) | Un beau soleil intérieur | France | ||||
| Lover for a Day | data-sort-value="Amant" | L'Amant d'un jour | data-sort-value="Garrel" | France | ||
| Marlina the Murderer in Four Acts (QP) | Marlina Si Pembunuh Dalam Empat Babak | data-sort-value="Surya" | Indonesia | |||
| Mobile Homes | data-sort-value="Fontenay" | Vladimir de Fontenay | Canada, France | |||
| Nothingwood (CdO) (ŒdO) (QP) | data-sort-value="Kronlund" | Sonia Kronlund | France, Germany | |||
| Patti Cake$ (CdO) (closing film) | data-sort-value="Jasper" | Geremy Jasper | United States | |||
| Pure Hearts (CdO) | Cuori Puri | data-sort-value="Paolis" | Roberto De Paolis | Italy | ||
| The Rider | data-sort-value="Zhao" | Chloé Zhao | United States | |||
| West of the Jordan River (Field Diary Revisited) (ŒdO) | ממערב לירדן | data-sort-value="Gitai" | Israel | |||
(CdO) indicates film eligible for the Caméra d'Or as directorial debut feature.
(ŒdO) film eligible for the Œil d'or as documentary.
(QP) film eligible for the Queer Palm.
The winner of the Illy Prize for Short Film has been
highlighted:| English title | Original title | Director(s) | Production country | ||
|---|---|---|---|---|---|
| Água Mole | data-sort-value="Goncalves" | Laura Goncalves, Alexandra Ramires | Portugal | ||
| Back to Genoa City (ŒdO) | Retour à Genoa City | data-sort-value="Grimalt" | Benoit Grimalt | France | |
| La Bouche | data-sort-value="Restrepo" | Camilo Restrepo | France | ||
| Copa-Loca | data-sort-value="Massalas" | Christos Massalas | Greece | ||
| Crème de menthe | data-sort-value="Gagné" | David Philippe Gagné, Jean-Marc E. Roy | Canada | ||
| Farpões, Baldios | data-sort-value="Mateus" | Marta Mateus | Portugal | ||
| Min Börda | data-sort-value="Bahr" | Niki Lindroth von Bahr | Sweden | ||
| Mada | data-sort-value="Martins" | Alexandre Martins | Brazil | ||
| Tijuana Tales | data-sort-value="Hue" | Jean-Charles Hue | France | ||
| Trešnje | data-sort-value=Turić" | Dubravka Turić | Croatia | ||
(ŒdO) indicates film eligible for the Œil d'or as documentary.
ACID, an association of French and foreign film directors, demonstrates its support for nine films each year, seeking to provide support from filmmakers to other filmmakers.[24] [25] The full ACID selection was announced on 21 April 2017, at the section's website.[26]
| English title | Original title | Director(s) | Production country | ||||
|---|---|---|---|---|---|---|---|
| data-sort-value="Assembly" | The Assembly | data-sort-value="Assemblée" | L'Assemblée | data-sort-value="Otero" | Mariana Otero | France | |
| Before Summer Ends | Avant la fin de l'été | data-sort-value="Goormaghtigh" | Maryam Goormaghtigh | France, Switzerland | |||
| Belinda | data-sort-value="Dumora" | Marie Dumora | France | ||||
| Coby (QP) | data-sort-value="Sonderegger" | Christian Sonderegger | |||||
| Kiss and Cry | data-sort-value="Pinell" | Lila Pinell, Chloé Mahieu | |||||
| Last Laugh | data-sort-value="Tao" | Zhang Tao | Hong Kong, France | ||||
| No Farewells | Sans Adieu | data-sort-value="Agou" | France | ||||
| Scaffoldling | data-sort-value="Yair" | Matan Yair | Israel, Poland | ||||
| data-sort-value="Starry" | The Starry Sky Above Me | data-sort-value="Ciel" | Le Ciel étoilé au-dessus de ma tête | data-sort-value="Klipper" | Ilan Klipper | France | |
(QP) indicates film eligible for the Queer Palm.
| English title | Original title | Director(s) | Production country | ||
|---|---|---|---|---|---|
| Dos Patrias | data-sort-value="Ristić" | Kosta Ristić | Serbia, Cuba | ||
| Emergency Exit | Izlaz u slučaju opasnosti | data-sort-value="Tagić" | Vladimir Tagić | Serbia | |
| data-sort-value="Handful" | A Handful of Stones | Kamen u ruci | data-sort-value="Ivancić" | Stefan Ivancić | |
| Humidity | Vlažnost | data-sort-value="Ljuca" | Nikola Ljuca | Serbia, Netherlands, Greece | |
| If I had it my way I would never leave | data-sort-value="Singh" | Marko Grba Singh | Serbia | ||
| Requiem for Mrs. J | Rekvijem za gospodju J. | data-sort-value="Vuletić" | Bojan Vuletić | Serbia, Bulgaria, Macedonia, Russia, France, Germany | |
| Transition | Tranzicija | data-sort-value="Tomović" | Milica Tomović | Serbia | |
A Man of Integrity by Mohammad Rasoulof[28]