Fuller Building Explained

Fuller Building
Completion Date:1929
Location:595 Madison Avenue, Manhattan, New York, U.S.
Mapframe-Wikidata:yes
Coordinates:40.7624°N -73.9719°W
Roof:492.13feet
Floor Count:40
Elevator Count:10
Start Date:1928
Architect:Walker & Gillette
Architectural Style:Art Deco
Namesake:George A. Fuller Company

The Fuller Building is a skyscraper at 57th Street and Madison Avenue in the Midtown Manhattan neighborhood of New York City. Designed by Walker & Gillette, it was erected between 1928 and 1929. The building is named for its original main occupant, the Fuller Construction Company, which moved from the Flatiron Building.

The 40-story building is designed in the Art Deco style and contains numerous setbacks as mandated by the 1916 Zoning Resolution. The facade of the lowest six stories are clad with black granite and contain large display windows for stores, as well as large windows for art galleries. The triple-height main entrance is decorated with architectural sculpture by Elie Nadelman. The remaining stories are largely designed with light cast stone and smaller windows. The interior has richly decorated vestibules and lobby featuring marble walls, bronze detailing, and mosaic floors.

The Fuller Building was constructed as part of the artistic hub that occupied East 57th Street during the early 20th century. At the time of its completion, the Fuller Building housed several art galleries with the address 41 East 57th Street, as well as offices at the address 595 Madison Avenue. It was purchased several times over the years before being acquired in 1999 by Vornado Realty Trust, its owner . The Fuller Building and its interior became New York City designated landmarks in 1986.

Site

The Fuller Building is in the Midtown Manhattan neighborhood of New York City, on the northeast corner of Madison Avenue and 57th Street. The largely rectangular land lot covers approximately, with a frontage of on Madison Avenue and parallel to 57th Street.[1] [2] The Four Seasons Hotel New York is on the same block to the east. Other nearby buildings include 432 Park Avenue to the south; 590 Madison Avenue to the southwest; LVMH Tower and the L. P. Hollander Company Building to the west; the General Motors Building to the northwest; and the Ritz Tower to the east.

Before the Fuller Building was developed, the site was occupied by the Madison Avenue Dutch Reformed Church,[3] constructed in 1870.[4] In the late 19th and early 20th centuries, East 57th Street largely contained homes and structures built for the arts.[5] The Central Presbyterian Church bought the Madison Avenue Church structure in 1915.[6] Many of the residential structures on 57th Street were replaced with offices, shops, and art galleries by the 1920s.[7] In April 1928, the Charles of London Corporation was planning to buy the Central Church building, with plans to redevelop the site with a 30-story skyscraper.[8] Ultimately, the Fuller Construction Company purchased the Central Church building, and the Central Church moved to Park Avenue.[9]

Architecture

The Fuller Building was designed by Walker & Gillette in the Art Deco style, although in a very conservative fashion.[10] [11] The building is tall and contains 40 stories.[12] The building's design contains relatively little ornament, as much of the design emphasis is on its shape, as well as the contrast of granite and stone on the facade. The Fuller Building contains numerous setbacks to comply with the 1916 Zoning Resolution, and the exterior contains various textures of stone to provide vertical and horizontal emphases on different parts of the facade.[13] The exterior uses Rockwood stone and black Swedish granite. The interior uses gray Tennessee marble, black Belgian marble, golden veined Formosa marble, and Bottocino marble.[14]

Christopher Gray wrote in The New York Times in 1995 that the building was "a jazz-age testament to the emerging commercial chic of 57th Street". The AIA Guide to New York City called it "the Brooks Brothers of Art Deco: black, gray and white."[15]

Form

The six-story base occupies the entire lot, and the setbacks are largely restricted to the fifteen stories above the base. The limestone contains rounded corners at the setbacks, although these corners are generally too small to see from the street. The overall form was intended to be visualized in several vertical sections: a large base, a mass with setbacks, a narrow tower, and a crown. The base was intended for stores and galleries; the set-back midsection was for art dealers; and the narrow tower was for businesses. These differing uses were to be reflected by the differing materials used on the facade, as well as the setbacks themselves. Because of the proximity of other tall buildings, Paul Goldberger wrote for the Times in 1978 that "almost no one ever sees it" as having several vertical sections.[16]

The outer sections of the southern elevation on 57th Street, and the southern section of the western elevation on Madison Avenue, contain setbacks on the 11th, 13th, and 15th floors, with black stone highlights at the tops of the setbacks. The eastern elevation has setbacks at the 10th, 13th, and 15th floors, which blend with the setbacks on the eastern section of the 57th Street elevation. The northern elevation contains no setbacks.

At the 16th through 21st stories on 57th Street, there are setbacks at every floor except the 18th. Along this elevation of the facade, the center two vertical bays project slightly from the 17th to 20th stories. Above the 20th story, the building rises as a continuous rectangular tower. At the 38th and 40th stories are setbacks with black stone bands. The roof of the building, above the 40th floor, also contains some setbacks for mechanical equipment.

Facade

Base

The lowest six stories of the Fuller Building are clad in black Swedish granite. Along the southern side, facing 57th Street, the facade consists of eight bays. The western side, on Madison Avenue, consists of four bays. There are two entrances at the base: the main entrance on 57th Street and the secondary one on Madison Avenue.[17] [18] In general, the Fuller Building's art galleries have tended to use the address 41 East 57th Street, while the offices have used the address 595 Madison Avenue.

The main entrance portal is in the fourth bay from west on 57th Street; it is three stories high and is flanked by granite-and-stone pilasters. There are four brass-framed glass doors at ground level, slightly recessed from the street. In front of and above the doors is a glass panel, which hangs from a bronze lintel with diamonds. At the center of the lintel is a glass-and-brass light fixture topped by an eagle. The second and third floors of the main entrance portal contain a grid of square windows framed by metal mullions. Atop the third story are stone-on-granite letters reading . Above this sign, at the fourth story, is a limestone sculptural group designed by Elie Nadelman. The sculptural group represents two construction workers flanking a clock, behind which is a carving of a skyline.[19] [20]

The secondary entrance is a single-story opening in the northernmost bay on Madison Avenue. The Madison Avenue entrance contains a brass service elevator door on the left and a brass-framed glass double door on the right. Atop these doors, but beneath the second story, is a sign with the stone letters . The rest of the base is designed similarly on both street facades. The ground level generally contains storefronts separated by vertical granite piers, which extend through the second to sixth floors. The second through fifth floor windows are separated horizontally by bronze spandrel panels with wave-and-inverted ziggurat designs. The fifth and sixth floors are separated horizontally by a granite band with a Greek key motif made of limestone. The window openings on each floor consist of large glass panes surrounded by smaller panes.

Upper stories

At the seventh floor, the design of the facade changes to a light-colored limestone cladding with black granite accenting. Centered above the 57th Street entrance, on the seventh through 16th floors, are five bays, each with four windows per floor, which correspond to openings at the base. Within these bays, each story is separated by horizontal bands that project slightly from the windows. Along 57th Street, the outer bays on the seventh through 16th floors consist of single-width windows with limestone piers. The center two bays on Madison Avenue have similar horizontal bands and four-window-wide bays as on 57th Street, while the outer bays contain narrower windows. On the first 17 floors, the northern and eastern facades are clad with two-tone brick and are largely unornamented. On the eastern facade, there are horizontal and vertical yellow brick bands contrasting with a darker background.

Above the 17th story, all of the facades contain single-width windows with limestone piers. Except for the northern facade, the 18th through 21st stories are clad with limestone on all sides. At the lintels above the 20th-story windows, there are black-stone geometric designs, and the piers between each bay are capped by stone slabs. The northern facade on these stories contains intermittent limestone cladding with brick.Above the 20th story, the west, south, and east facades are designed identically and are each six bays wide. On these facades, the two center bays are flanked by wide piers and separated by a narrow pier, with recessed spandrels separating the windows on each floor. Within the four outer bays on each facade, the windows on different stories are separated by horizontal bands. In the center bays from the 36th to 39th stories, the piers contain horizontal bands. The spandrels beneath the 36th and 37th floors contain black vertical lines, and there are balconies on the 38th floor. At the 39th floor are black-and-white sunburst motifs flanking a round window in the center bays. The roof above the 40th floor contains friezes with black-and-white triangles and zigzag patterns. The northern facade is similar but has no windows in the center two bays. Additionally, there is no balcony on the 38th floor, and the 39th and 40th floors have dark geometric patterns without any windows.

Features

The Fuller Building had a rentable area of about when it was completed. According to the New York City Department of City Planning and building owner Vornado Realty Trust, the building has a gross floor area of approximately . The third through 19th floors typically contain an area of 7800to, while the 20th through 40th stories are much smaller, with an area of 2000to. Ceiling heights range from 11to, while the floors can carry loads of .

The building is constructed with a steel superstructure. The steel structure contains wind bracing to minimize movement due to wind.[21] [22] When the Fuller Building was completed, it contained a then-novel vertical fire alarm system, with direct lines to the New York City Fire Department at every other floor, as well as tanks and standpipes throughout the height of the building.[23] [24]

Lobby

The lobby is T-shaped in plan, with marble, bronze, and mosaic decorations. The main entrance hall leads north from 57th Street to the elevator lobby, which leads east from the Madison Avenue entrance. Just inside either entrance are small vestibules with doors leading to the main lobby. The 57th Street vestibule's wall consists of light tan marble, with horizontal black bands on the lowest sections of the walls. One light marble panel on each wall is flanked by two narrower, darker marble pilasters, which are flush with the rest of the wall. At the top of each dark marble panel are fret designs intended to resemble the capitals of a column. The floors contain stylized mosaics inlaid with the letter "F", as well as decorative borders. The Madison Avenue vestibule is similar in design, except it has three doors to the lobby, whereas the 57th Street vestibule has four. Additionally, a stair to the basement is on the northern side of the Madison Avenue lobby.

The main lobby walls have similar designs to the vestibules, except the dark marble pilasters are placed in regular intervals along the light-tan marble surface. A black frieze with a fret pattern runs atop the entirety of all the walls. The floor of the main lobby consists of gray, black, white, and tan mosaic tiles with chevron-patterned borders and geometric patterns. The center of the floor contains three roundels depicting notable structures in the Fuller Construction Company's history: the Tacoma Building, the Flatiron Building, and the Fuller Building.[25] [26] These mosaics were made by Vincent Foscato in Long Island City. The ceiling is made of white plaster and contains an anthemion molding along its borders, as well as coffered ribs that divide the ceiling perpendicularly. The perpendicular ribs contain rectangular lighting fixtures, rosettes, and plain panels. The center of the ceiling contains hexagonal lighting fixtures.The Madison Avenue hallway contains nine elevators at the intersection with the 57th Street hallway. The south wall of the lobby has three elevators: a freight elevator west of the 57th Street hallway and two passenger elevators east of the elevators. The north wall contains six passenger elevators. Each elevator contains a double-leaf bronze door with eight hexagonal bronze reliefs depicting the process of construction, as well as Art Deco-style decorative molding. There is a staircase on the far eastern end of the Madison Avenue hallway, on the south wall. In addition, the service elevator next to the Madison Avenue entrance contains a 10feetby15feetft (byft) cab.[27] In total, the Fuller Building has ten elevators, of which eight are for passengers and two are for freight.[18]

Shops, galleries, and offices

The lowest six stories were reserved for shops or art galleries. The New York Times said the base was designed to provide "salon shop space", and Walker and Gillette called it "the first high-class multiple-purpose skyscraper" in the city. Tenants could occupy ground-level storefronts on 57th Street or Madison Avenue, as well as space on the second through sixth floors above their respective storefronts. Each space could be served by its own elevator and circular stair. The arrangement of vertical storefronts and the lobby's design were intended to "give the greatest attraction to the exteriors of the shops", according to Douglas Grant Scott of the United States Realty and Construction Company, the Fuller Company's parent corporation.[28] Rents for the stores was initially calculated by averaging the rates for the first through sixth floors; in typical buildings, space on higher floors was subjected to lower rates than space on lower floors.[29]

In the years after its opening, many galleries were opened on the storefronts in the lowest six floors. The Fuller Building became "one of Manhattan's most prestigious gallery addresses", as The New York Times described it.[30] The gallery tenants over the years have included the Nailya Alexander Gallery,[31] Andrew Crispo,[32] [33] the Charles Egan Gallery, André Emmerich, Hammer Galleries,[34] Howard Greenberg Gallery, Marlborough-Gerson, Pierre Matisse, the Katharina Rich Perlow Gallery,[35] and the Zabriskie Gallery. Other gallery occupants have included the Kent Fine Art Gallery, Jan Krugier, David McKee, Robert Miller, the Tibor de Nagy Gallery, and Joan Washburn.[36]

The 7th to 15th stories were designed as spaces for interior decorators and art dealers to sell merchandise. The 16th to 40th stories were designed as offices. The Fuller offices on the 16th through 19th stories were trimmed extensively in teakwood and had private elevator service.[37] [38] At the roof, Walker and Gillette designed an eleven-room penthouse apartment for J. H. Carpenter, president of the Fuller Construction Company at the time of the building's completion. The offices were built with cement floors, white plaster walls, and steel-and-glass partitions, while the corridors had marble and terrazzo floors.

History

Architect George A. Fuller had founded the George A. Fuller Company in 1882. Unlike other architecture firms of the time, Fuller's firm intended to handle all aspects of building construction except for the design, similar to the modern general contractor. Following Fuller's death in 1900, his son-in-law Harry S. Black took over as president of the Fuller Company and made it a subsidiary of the new United States Realty and Construction Company. Shortly after Fuller's death, Black constructed what is now the Flatiron Building at Fifth Avenue and 23rd Street for the company's headquarters.[39] That structure was supposed to be called the "Fuller Building" in honor of the late Fuller, but its triangular flatiron shape led to the popular name "Flatiron Building" instead.[40] By the 1920s, the center of business in Manhattan had moved northward to Midtown.

Development

In May 1928, the Fuller Company purchased the Central Church at Madison Avenue and 57th Street for $3 million. The United States Realty and Construction Company founded a subsidiary, the GAF Realty Company, to construct a 30-story building on the site. The board of GAR Realty consisted of officers from the National City Bank of New York and the Fuller Company, which were to occupy the building.[41] Walker and Gillette were hired to draw the plans. The plans were revised to 39 stories by September 1929, when the official blueprints were filed with the Manhattan Bureau of Buildings.[42]

To fund the construction, United States Realty sold $5 million in bonds and $3 million from debentures in January 1929.[43] [44] [45] The Fuller Company planned to name the new structure "Fuller Building", transferring the name from the Flatiron Building. The Fuller Company labeled both entrances of its new building prominently, likely in an attempt to prevent the structure from being mislabeled like its predecessor had been. In June 1929, twenty-four mechanics received craftsmanship awards for their work on the Fuller Building.[46] [47] The building was completed on September 7, 1929. Two days later, the Fuller Company moved its offices to the 16th through 19th floors of the building, becoming its first tenant.

1930s to 1980s

In the building's first two decades, its commercial tenants included Kaskel and Kaskel, a haberdasher that moved to the corner storefront in the Fuller Building.[48] as well as McGibbon & Co., one of the city's oldest linen merchants.[49] Storefront and basement space was also leased to Sally Gowns Inc. and McGibben & Co., both clothing companies,[50] and Edward Garratt Inc., furniture dealer.[51] Galleries moved to the building as well, including the F. Kleinberger Galleries,[52] the Pierre Matisse Gallery,[53] the French Art Galleries,[54] and manuscript and autograph dealer Thomas F. Madigan Inc.[55] The office story tenants included the French Consul,[56] food processor Standard Brands,[57] book publisher Jordanoff Aviation Corporation,[58] developer Paul Tishman,[59] financier Frederick Lewisohn, former New York governor Herbert H. Lehman, and businessman Bernard Baruch. A committee was formed in 1935 to protect the interests of the building's bondholders.[60] [61]

The Penroy Realty Company. led by Miami-based realtor Kenneth S. Keyes, bought the building on behalf of "out-of-town" investors in January 1949. At the time, the Fuller Construction Company still maintained its executive offices there.[62] Shortly afterward, the building received a $3 million first mortgage from Massachusetts Mutual Life Insurance.[63] [64] In January 1961, investor Lawrence Wien purchased the building's 33-year lease from the Fuller Building Corporation, with two options for 25-year renewals.[65] Four months later, a syndicate headed by Irving Brodsky and Richard Gittlin bought a 99-year leasehold for the land from the Fuller Building Corporation.[66] Leases on, about half of the office space, were set to expire in 1962, and it was renting at a rate below the average for the neighborhood. As a result, the owners decided to renovate the building's mechanical features such as acoustical ceilings, fluorescent lighting, and air conditioning. Simultaneously, new or existing tenants signed leases for the remaining office space.[67] In 1968, Brodsky signed a contract to purchase the Fuller Building on behalf of the Fred F. French Company, which paid cash to cover the $4.2 million mortgage.[68]

By the late 20th century, the Fuller Building had become a center for art galleries. Not only was 57th Street still an artistic hub, but also, building management was willing to accommodate each gallery's specific needs, such as large doorways, minimal window space, and heavy floor slabs. Accordingly, by the 1970s, much of the showroom space on the lowest six floors was used mostly by galleries. The building's retail space also remained popular despite being split across multiple levels. As Carter B. Horsley wrote for The New York Times in 1978, the building was one of the few in the city "that have been successful in maintaining more than two retail floors", aside from specialty buildings.[69] The Fuller Company continued to occupy the building until the early 1980s. The New York City Landmarks Preservation Commission designated the exterior and lobby interior as city landmarks in 1986.

1990s to present

Cushman & Wakefield took over management of the building in 1990. While the Fuller Building contained over twenty art galleries at the time, several gallery tenants expressed frustration that rents at the building were much higher compared to other buildings. By the beginning of 1994, the Fuller Building was more than 25 percent vacant. Within the same year, the office space remained vacant but much of the available gallery space was occupied.[70] The mortgage holder L&B Group retook the building in December 1994 and subsequently started renovating the building. The changes included replacement windows, a facade cleaning, and upgrading the interior to modern standards. By then, the Fuller Building had been overshadowed by the construction of the much taller Four Seasons Hotel on the adjacent lot, which had been completed in 1993.

In August 1999, Vornado Realty Trust arranged to purchase the Fuller Building for approximately $125 million;[71] [72] the next month, the company closed on its purchase.[73] Vornado announced in 2002 that it planned to renovate the base to designs by Skidmore, Owings & Merrill, though this plan received some opposition. The proposal called for replacing the glass above the main entrance with "electronic glass", which could alternate between being transparent or opaque, as well as adding similar glass above the lobby ceiling.[74] Coach Inc. opened its global flagship store in the building in 2005.[75] Coach abruptly closed its store in January 2020.[76] A Berluti flagship opened in part of the former Coach space in December 2020,[77] and a two-level Fendi flagship store opened in another part of Coach's space in July 2021.[78] By the end of 2021, the building was 81 percent occupied, and its tenants included fashion firms such as Bottega Veneta and Tom Ford.[79]

See also

References

Sources

External links

Notes and References

  1. Web site: 597 Madison Avenue, 10022. live. March 20, 2020. New York City Department of City Planning. April 11, 2021. https://web.archive.org/web/20210411174535/https://zola.planning.nyc.gov/l/lot/1/1293/26#17.66/40.762342/-73.970967.
  2. News: January 1, 1949. Florida Agency Buys Control of Fuller Building: Firm Headed by K. S. Keyes Takes Large Structure at Madison Ave., 57th St. 14. New York Herald Tribune. .
  3. News: December 2, 1928. New Scenes Along Madison Avenue; Fuller Building at Fifty-seventh Street Is to Be Forty Stories High. en-US. 191. The New York Times. subscription. April 9, 2021. 0362-4331.
  4. News: December 2, 1928. 40 Floors Will Top Old Church Site on Madison Av. Corner: Building Will Be Built Over Bank of Six-Story Shops; Art Trade Is Favored. D2. New York Herald Tribune. .
  5. Web site: October 19, 1999. 130 West 57th Street Studio Building. November 20, 2020. New York City Landmarks Preservation Commission. 2–3. April 23, 2021. https://web.archive.org/web/20210423083747/http://www.neighborhoodpreservationcenter.org/db/bb_files/1999---130w57.pdf. live.
  6. News: February 28, 1915. Old Church Goes Out of Existence; Central Presbyterian Takes Property of Madison Av. Reformed at 57th Street.. en-US. 3. The New York Times. limited. April 9, 2021. 0362-4331. January 13, 2022. https://web.archive.org/web/20220113133536/https://timesmachine.nytimes.com/timesmachine/1915/02/28/301788112.pdf. live.
  7. News: January 13, 1929. 'Shanty Land' Now Site of $125,000,000 New Construction: Skyscrapers and Shops Have Replaced Homes of 5,000 Squatters in 57th Street. D1. New York Herald Tribune. .
  8. News: April 14, 1928. Plans Skyscraper on Site of Church; Charles of London Seeks to Buy the Central Presbyterian in Madison Avenue. en-US. 25. The New York Times. subscription. April 9, 2021. 0362-4331.
  9. News: May 10, 1928. Fuller Co. Is Buyer of Madison Av. Site; Builders Bought Central Presbyterian Church in RecentDeal for a Skyscraper. en-US. 48. The New York Times. subscription. April 9, 2021. 0362-4331.
  10. 118.
  11. 336.
  12. Web site: Fuller Building. January 1, 2021. Emporis. April 11, 2021. https://web.archive.org/web/20210411174519/https://www.emporis.com/buildings/115552/fuller-building-new-york-city-ny-usa. dead.
  13. News: Gray. Christopher. Christopher Gray (architectural historian). June 11, 1995. Streetscapes/Fuller Building; Art Deco Delight Seeks to Recapture Its Past Glory. en-US. The New York Times. limited. April 8, 2021. 0362-4331. March 24, 2019. https://web.archive.org/web/20190324201249/https://www.nytimes.com/1995/06/11/realestate/streetscapes-fuller-building-art-deco-delight-seeks-to-recapture-its-past-glory.html. live.
  14. News: June 23, 1929. Stone From Many Lands: Foreign Marble and Granite Used in Fuller Building.. en-US. RE12. The New York Times. subscription. April 9, 2021. 0362-4331.
  15. 336.
  16. News: Goldberger. Paul. Paul Goldberger. May 18, 1978. The grandeur of an intact Automat and the drama of an empty lot. C10. The New York Times. 0362-4331. .
  17. Jun 1930. Fuller Building, New York, Walker & Gillette, Architects. Architectural Forum. 842. April 11, 2021. August 5, 2020. https://web.archive.org/web/20200805055107/https://usmodernist.org/AF/AF-1930-06-1.pdf. live.
  18. Web site: 595 Madison Avenue. April 10, 2021. Vornado Realty Trust. April 10, 2021. https://web.archive.org/web/20210410160829/https://www.vno.com/office/property/595-madison-avenue/3311671/landing. live.
  19. Book: Haskell, Barbara. Elie Nadelman: Sculptor of Modern Life. Whitney Museum of American Art. 2003. 978-0-87427-132-4. 180. April 11, 2021. April 11, 2021. https://web.archive.org/web/20210411174519/https://books.google.com/books?id=DwpQAAAAMAAJ. live.
  20. News: March 7, 1929. Motive for Skyscraper Shows Modern Builders: Will Be Placed as Tribute to George A Fuller. 41. New York Herald Tribune. .
  21. News: January 20, 1929. Steel Bracing in Fuller Building.. en-US. RE2. The New York Times. subscription. April 9, 2021. 0362-4331.
  22. News: February 3, 1929. Winds Cannot Sway New Fuller Building. 17. The Brooklyn Citizen. newspapers.com. April 9, 2021. April 10, 2021. https://web.archive.org/web/20210410002938/https://www.newspapers.com/clip/75437850/winds-cannot-sway-new-fuller-building/. live.
  23. News: July 21, 1929. Vertical Fire System.; Novel Protection Methods in New Fuller Building.. en-US. 148. The New York Times. subscription. April 9, 2021. 0362-4331.
  24. News: July 7, 1929. Fuller Building to Have 'Vertical' Fire Alarm: Apparatus Can Be Summoned by Tenants on Upper Floors. D2. New York Herald Tribune. .
  25. News: August 18, 1929. Mosaics Show Three Buildings.. en-US. N21. The New York Times. subscription. April 9, 2021. 0362-4331.
  26. News: June 2, 1929. Story of Skyscraper To Be Incased in Floor. D2. New York Herald Tribune. .
  27. News: Dalton. Dudley. October 20, 1963. Office Building Plays Dual Role; Structure on Madison Ave. Is Also an Art Center Cater to Special Needs. en-US. 304. The New York Times. subscription. April 10, 2021. 0362-4331.
  28. News: December 22, 1929. Vertical Shops; Stores in Fuller Building Indicate Modern Trend.. en-US. RE2. The New York Times. subscription. April 9, 2021. 0362-4331.
  29. News: January 20, 1929. Square Foot Basis to Give Wav to Front Foot Values: Will Be Used Figuring Rents for Six-Story Stores in 57th Street. D11. New York Herald Tribune. .
  30. News: Smith. Roberta. September 4, 1992. The Art Market. en-US. The New York Times. limited. April 10, 2021. 0362-4331. April 10, 2021. https://web.archive.org/web/20210410003018/https://www.nytimes.com/1992/09/04/arts/the-art-market.html. live.
  31. Book: Photograph. Photography. 2010. 41. May 3, 2021. September 5, 2021. https://web.archive.org/web/20210905203901/https://books.google.com/books?id=_mNLAQAAIAAJ. live.
  32. News: Vogel. Carol. June 11, 1993. The Art Market. en-US. The New York Times. limited. April 11, 2021. 0362-4331. April 11, 2021. https://web.archive.org/web/20210411174149/https://www.nytimes.com/1993/06/11/movies/the-art-market.html. live.
  33. Web site: Scher. Robin. July 19, 2016. 'Round 57th Street: New York's First Gallery District Continues (for Now) to Weather Endless Changes in the Art World. April 11, 2021. ARTnews.com. April 11, 2021. https://web.archive.org/web/20210411174157/https://www.artnews.com/art-news/market/round-57th-street-new-yorks-first-gallery-district-continues-for-now-to-weather-endless-changes-in-the-art-world-6685/. live.
  34. News: January 16, 1951. Art Dealers Expanding: Hammer Galleries Lease Three Floors in 51 East 57th St.. en-US. 50. The New York Times. subscription. April 10, 2021. 0362-4331.
  35. Web site: October 29, 1998. John Winship. April 11, 2021. NPR. April 11, 2021. https://web.archive.org/web/20210411174149/https://www.npr.org/templates/story/story.php?storyId=1032627. live.
  36. News: Russell. John. April 24, 1988. Three Worlds of 57th Street; the World of Art. en-US. The New York Times. limited. April 11, 2021. 0362-4331. November 28, 2020. https://web.archive.org/web/20201128060606/https://www.nytimes.com/1988/04/24/magazine/three-worlds-of-57th-street-the-world-of-art.html. live.
  37. News: September 8, 1929. Fuller Offices Moved: Company to Occupy Four Floors in New Building.. en-US. RE6. The New York Times. subscription. April 9, 2021. 0362-4331.
  38. News: September 8, 1929. Fuller Co. Moves North. D4. New York Herald Tribune. .
  39. News: August 9, 1902. Flatiron Structure to be Called the Fuller Building. en-US. 3. The New York Times. limited. June 3, 2020. 0362-4331.
  40. Book: Brown. Lance Jay. Urban Design for an Urban Century: Shaping More Livable, Equitable, and Resilient Cities. Dixon. David. Gillham. Oliver. June 21, 2014. Wiley. 978-1-118-45363-6. 2nd. Hoboken. April 11, 2021. May 11, 2021. https://web.archive.org/web/20210511235030/https://www.archdaily.com/515780/urban-design-for-an-urban-century-shaping-more-livable-equitable-and-resilient-cities. live.
  41. News: May 10, 1928. Skyscraper Will Be Built on Church Site: 30-Story Building Planned for Central Presbyterian Plot on Madison Avenue. 41. New York Herald Tribune. .
  42. News: September 5, 1928. 39-Story Building Planned On Madison Avenue Corner. en-US. 54. The New York Times. subscription. April 9, 2021. 0362-4331.
  43. News: January 20, 1929. Bond Sales Provide Capital for Fuller Bldg. D1. New York Herald Tribune. .
  44. News: January 14, 1929. Bond Flotations.; New Issues to Be Marketed for Investment and Realty Corporations. Fuller Building.. en-US. 40. The New York Times. subscription. April 9, 2021. 0362-4331.
  45. News: January 11, 1929. The Day's New Investments. 23. The Brooklyn Daily Eagle. newspapers.com. April 10, 2021. April 10, 2021. https://web.archive.org/web/20210410151615/https://www.newspapers.com/clip/1118568/fuller-building/. live.
  46. News: June 23, 1929. Twenty-four Mechanics Will Receive Certificates: Skill of Workers on Fuller Building Gains Recognition. D2. New York Herald Tribune. .
  47. News: June 22, 1929. Mechanics to Get Awards.; Twenty-four Workers on Fuller Building Chosen for Craft.. en-US. 34. The New York Times. subscription. April 9, 2021. 0362-4331.
  48. News: May 21, 1929. $3,000,000 Will Be Paid by Haberdashers: Kaekel & Kaskel Take Lease on Store in Fuller Building. 45. New York Herald Tribune. .
  49. News: February 22, 1931. McGibbon, Linen Merchant, Soon Will Move to 57th Street: Sixty-five Years in New York Trade, Firm Will Locate on Madison Ave. in May. E1. New York Herald Tribune. .
  50. News: August 26, 1931. Real Estate News and Projects: Dress Dealers Lease Space in Fuller Building Sally Gowns Takes Quarters in Plaza Zone; Garment Section Renting Active. 34. New York Herald Tribune. .
  51. News: May 13, 1941. Real Estate: Furniture Firm Rents Quarters In East 57th St Edward Garratt, Inc., Has Store and Fourth Floor Space in Fuller Building. 33. New York Herald Tribune. .
  52. News: February 28, 1936. Art Firm Leases Large Space on Madison Ave.. 34. New York Herald Tribune. .
  53. News: Jewell. Edward Alden. December 9, 1931. Art; Matisse Presents Gromaire. Another Davies Exhibition. Young Americans Hold Forth. Fine and Applied Arts Merge. Mrs. Force in Radio Talk. Etching Show Opens Today.. en-US. 34. The New York Times. subscription. April 10, 2021. 0362-4331.
  54. News: December 13, 1936. Galleries; Two More New Show Places Open. en-US. X11. The New York Times. subscription. April 10, 2021. 0362-4331.
  55. News: November 16, 1940. Madigan Rents Fuller Building Display Space: Pealer in Old Manuscripts Takes 57th St. Gallery; London Furrier Leases. 26. New York Herald Tribune. .
  56. News: January 13, 1932. French Consul Lease in Fuller Building; Will Move From East Fortieth Street, Where Office Has Been for Years.. en-US. 43. The New York Times. subscription. April 10, 2021. 0362-4331.
  57. News: April 22, 1956. Quick Turnover in Office Space; Subleases Made of 100,000 Square Feet on Floors of Fuller Building. en-US. 277. The New York Times. subscription. April 10, 2021. 0362-4331.
  58. News: October 14, 1943. Large West Side Parcel Leased for Long Tern. 34. New York Herald Tribune. .
  59. News: April 26, 1949. Paul Tishman Organizes Own Building Firm: Joseph P. Blitz Will Be Official of New Concern. 37. New York Herald Tribune. .
  60. News: January 5, 1935. Fuller Building Group Formed. 25. New York Herald Tribune. .
  61. News: January 5, 1935. To Guard Fuller Building Bonds. en-US. 24. The New York Times. subscription. April 10, 2021. 0362-4331.
  62. News: January 1, 1949. Miami Interests Buy The Fuller Building. en-US. 24. The New York Times. subscription. April 8, 2021. 0362-4331.
  63. News: February 19, 1949. Fuller Building Is Refinanced For $3,000,000: Massacsetts Mutual Makes Loan on 40-Story Office Structure on Madison. 22. New York Herald Tribune. .
  64. News: February 19, 1949. $3,000,000 Loan Placed; Financing Obtained for Fuller Building on Madison Ave.. en-US. 25. The New York Times. subscription. April 8, 2021. 0362-4331.
  65. News: January 19, 1961. Lease Acquired on Tall Building: Investor Gets Skyscraper at 595 Madison Ave. -- 'Village' House Sold. en-US. 48. The New York Times. subscription. April 9, 2021. 0362-4331.
  66. News: May 11, 1961. Leasehold Sold on Madison Ave.; Syndicate Acquires 99-year Rights to Fuller Building. en-US. 62. The New York Times. subscription. April 9, 2021. 0362-4331.
  67. News: September 4, 1962. Buyers Renovate Fuller Building: Rent Increases Help Create Sound Operating Basis. en-US. 50. The New York Times. subscription. April 9, 2021. 0362-4331.
  68. News: October 30, 1968. News of Reality: Skyscraper Sale; Contract Signed to Acquire Fuller Building at 57th St.. en-US. 73. The New York Times. subscription. April 8, 2021. 0362-4331.
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  71. News: Bloomberg News. August 19, 1999. Metro Business; Vornado to Buy Building. en-US. The New York Times. limited. April 10, 2021. 0362-4331. April 10, 2021. https://web.archive.org/web/20210410160829/https://www.nytimes.com/1999/08/19/nyregion/metro-business-vornado-to-buy-building.html. live.
  72. News: August 19, 1999. Business Brief -- Vornado Realty Trust: Pact Is Reached to Acquire New York Office Building. B14. The Wall Street Journal. 0099-9660. .
  73. Web site: March 13, 2019. 595 Madison Avenue - TRD Research. limited. April 10, 2021. The Real Deal. April 10, 2021. https://web.archive.org/web/20210410160828/https://therealdeal.com/new-research/topics/property/595-madison-avenue/. live.
  74. News: Lee. Denny. January 6, 2002. Neighborhood Report: Midtown; Space-age Skin Proposed for an Art Deco Trophy. en-US. The New York Times. limited. April 10, 2021. 0362-4331. April 10, 2021. https://web.archive.org/web/20210410160829/https://www.nytimes.com/2002/01/06/nyregion/neighborhood-report-midtown-space-age-skin-proposed-for-an-art-deco-trophy.html. live.
  75. Coach to Reopen Global Flagship in New York; Expands Into Neighboring Retail Space, Makes Significant Restorations to Landmark Fuller Building. November 18, 2005. April 11, 2021. Business Wire.
  76. Web site: January 24, 2020. Coach to Close Flagship Store on Madison Avenue. limited. April 10, 2021. The Real Deal New York. en-US. April 10, 2021. https://web.archive.org/web/20210410044334/https://therealdeal.com/2020/01/24/coach-abruptly-shuts-doors-at-vornados-595-madison/. live.
  77. Web site: Palmieri. Jean E.. December 4, 2020. Berluti Opens New Flagship on 57th Street. live. April 10, 2021. WWD. en-US. February 17, 2021. https://web.archive.org/web/20210217194012/https://wwd.com/menswear-news/mens-retail-business/berluti-flagship-57th-street-1234669468/.
  78. Web site: Palmieri . Jean E. . Fendi Makes Splash in New York With Flagship . WWD . July 15, 2021 . September 2, 2022.
  79. Web site: Plaza District leases by Chubb and Hermes buoy comeback hopes . Crain's New York Business . Hughes . C.J. . March 29, 2022 . September 2, 2022.