| 52 Tuesdays | |
| Director: | Sophie Hyde |
| Producer: | Matthew Cormack Sophie Hyde Bryan Mason Rebecca Summerton |
| Screenplay: | Matthew Cormack |
| Story: | Matthew Cormack Sophie Hyde |
| Starring: | Tilda Cobham-Hervey Del Herbert-Jane |
| Music: | Benjamin Speed |
| Cinematography: | Bryan Mason |
| Editing: | Bryan Mason |
| Distributor: | Closer Productions |
| Runtime: | 109 minutes |
| Country: | Australia |
| Language: | English |
52 Tuesdays is a 2013 Australian coming-of-age drama film directed by Sophie Hyde, with the screenplay written by Matthew Cormack and story by Cormack and Hyde. The film centres on a teenage girl dealing with the gender transition of a parent. The film showed at the 2014 Sundance Film Festival,[1] where it was not only nominated for the Grand Jury Prize, but won the Best Director Award. Over the following year it won numerous other awards and garnered global critical acclaim.
16-year-old Billie lives in suburban Australia. One of her parents comes out to her as a transgender man named James. Billie then learns that James wants Billie to live with her other parent, James's ex-husband Tom, for a year. This restricts the time Billie is together with James to Tuesdays from 16:00 - 22:00, starting on 23 August. The film is divided into the corresponding 52 segments, each covering one Tuesday, and starting with a title card showing the date.
Each Tuesday, after visiting James and before returning to Tom, Billie has secret encounters with two older students, Josh and Jasmine, in an apartment that her uncle Harry allows them to use. Billie films sexual experiments of the threesome.
James meets a setback in his transition when his body does not tolerate testosterone injections, and he has to stop them.
After sending a nude photograph of herself to Jasmine, Billie gets into trouble as this is considered child pornography. The school principal, James, Tom and Jasmine strongly disapprove it. Billie is shocked that James destroys one of her tapes, and refuses further contact with him. Josh does not want physical contact with Billie anymore because of Tom's disapproval.
Later Billie is willing to destroy a remaining tape, but since it is in James's house who she no longer visits, she is dependent on Harry, who finally destroys it for her.
When the year is finished, Billie reconciles with James, and starts living with him again. Also Billie, Josh and Jasmine become friends again.
52 Tuesdays was filmed in suburban Adelaide over the course of a year, every Tuesday, to fit in with the storyline of the film.[2] [3] This in itself made it unique.[4] It was led by first-time actors and Hyde enjoyed the measure of intimacy and control that she had in the making of the film.[5]
The film was released theatrically in Australia on 1 May 2014.
52 Tuesdays was met with positive reviews from critics upon its premiere at the 2014 Sundance Film Festival. It has a 90% critics' approval rating based on 39 reviews at Rotten Tomatoes.[6]
Geoff Berkshire said in Variety that the film "Demonstrates a willingness to experiment that bodes well for future endeavors."[7] David Rooney of The Hollywood Reporter in his review said "A thoughtful drama about a mother and daughter whose connection is tested as they both go through intense changes."[8] Tom Clift of Concrete Playground gave a positive review, saying: "Honest, insightful and bravely against the grain, 52 Tuesdays is a magnificent debut for cast and filmmaker alike."[9]
| Award | Category | Subject | Result |
|---|---|---|---|
| AACTA Awards[10] (4th) | Best Original Screenplay | Matthew Cormack | |
| Sophie Hyde | |||
| Best Editing | Bryan Mason | ||
| Apolo Awards[11] [12] | Best Editing | ||
| Best New Director | Sophie Hyde | ||
| Best New Actor | Del Herbert-Jane | ||
| Best New Actress | Tilda Cobham-Hervey | ||
| Asia Pacific Screen Award | Best Youth Feature Film | Bryan Mason | |
| Rebecca Summerton | |||
| Matthew Cormack | |||
| Sophie Hyde | |||
| ADG Award | Best Direction in a Feature Film | ||
| AFCA Awards | Best Director | ||
| Best Screenplay | Matthew Cormack | ||
| Best Actress | Tilda Cobham-Hervey | ||
| ASE Award | Best Editing in a Feature Film | Bryan Mason | |
| AWGIE Award | Best Writing in a Feature Film - Original | Matthew Cormack | |
| Berlin International Film Festival | Crystal Bear[13] | Sophie Hyde | |
| Reader Jury of the "Siegessäule" | |||
| Score Competition | Benjamin Speed | ||
| Best Feature Film | Bryan Mason | ||
| Rebecca Summerton | |||
| Matthew Cormack | |||
| Sophie Hyde | |||
| Chéries-Chéris | Grand Prix | ||
| Cleveland International Film Festival | ReelWomenDirect Award for Excellence in Directing by a Woman | ||
| Cork Film Festival | Youth Jury Award | ||
| Glasgow Film Festival | Audience Award | ||
| FCCA Awards | Best Screenplay | Matthew Cormack | |
| Best Actress | Tilda Cobham-Hervey | ||
| Best Editing | Bryan Mason | ||
| Melbourne Queer Film Festival | Best Feature Film | Sophie Hyde | |
| International Festival of Independent Cinema Off Camera | Making Way Award | ||
| Sundance Film Festival | Directing Award[14] | ||
| Grand Jury Prize | |||
| Tallinn Black Nights Film Festival | Just Film Award - Special Mention | ||
| Just Film Award - Best Youth Film | |||
| Inside Out Film and Video Festival (Toronto) | Bill Sherwood Award for Best First Feature | ||