Mic-a-holic Ai explained

Mic-a-holic Ai
Type:studio
Artist:Ai
Cover:Ai - Mic-a-holic Ai.png
Alt:A close-up shot of Ai, smiling with her eyes closed, holding a microphone stand. She is wearing a low-cut black shiny dress, and is standing against a dark blue and black patterned background. In front of her is the title, MIC-A-HOLIC A.I., written in graffiti style white handwriting.
Recorded:2005
Length:53:26
Prev Title:Feat. Ai
Prev Year:2004
Next Title:What's Goin' On Ai
Next Year:2006

Mic-a-holic Ai (stylized as MIC-A-HOLIC A.I.) is the fourth studio album by Japanese-American singer-songwriter Ai, released on July 7, 2005, by Island Records and Universal Sigma.[1] It is the best selling album of Ai's career to date, being released just after Ai's single "Story" became a hit. The album was certified double platinum by the Recording Industry Association of Japan for 500,000 shipped copies.

Background and development

Ai had been signed to Def Jam Japan for three years, after releasing the albums Original Ai in 2003, and 2004 Ai. Ai was seeing a steady increase in popularity, with 2004 Ai selling double her previous album's amount.[2] In late 2004, two project albums of Ai's were released, Flashback to Ai featuring rarity material from her BMG Japan era, and Feat Ai, featuring all of her outside collaborations from 2002 until mid-2004, which also featured a new song, "Hot Spot," which was a collaboration with Uzi.

The first single from the album, "365," released in February 2005, was Ai's first top 20 single.[2] Ai also released the single "Crayon Beats" in April that was the children's anime Crayon Shin-chan theme song, although it is not included in the album. "Story" was released in May, two months before the album.

Writing and production

The album was recorded in 2005, mostly in Tokyo at Prime Sound Studio Form, Magnet Studio and Real & Beats Studio. "Queen" was recorded at Landmark Studio in Yokohama. Additional instrument recording occurred in Philadelphia and New York City in the United States.

The album featured continued production work from previous Ai collaborators 813, T. Kura and 2 Soul, who had all worked together with Ai on 2004 Ai. T. Kura produced three new songs ("If," "Sha La La" and "Sunshine"), while 813 produced "Summer Breeze," and 813 member DJ Yutaka produced "California" on his own. 2 Soul worked on the ballad "Story," as well as Ai's first Latin track, "Passion." Ai worked together with Aquarius on the first single "365," which also featured Aquarius member Deli as a guest rapper. "Another Day" and "Queen" were produced by Icedown, who worked with Ai for the first time on the album.

Ai self-produced the song "Once in a Lifetime," also writing and composing the song. The song also featured additional production by D/R Period.

"Summer Breeze" is a slowed down version of a song from Ai's album Original Ai (2003), called "Summer Time."

Promotion and concerts

"Story" was promoted the most from the album, appearing in TV commercials for Fuji TV Flower Center, download services M-Up and Recochoku', and Morinaga's Jelly Weider drink range.[3] "Story" was also the June 2005 ending theme song for the TV Tokyo music show Japan Countdown. In 2012, "Story" was used as the ending theme song for the Nintendo 3DS game Rhythm Thief & the Emperor's Treasure.[4]

Two other songs from the album received commercial tie-ups. "365" was the Fuji TV music comedy show Hey! Hey! Hey! Music Champ ending theme song,[3] and in October 2005, the song "Queen" was made the Yu Shirota horror film Prays theme song.

Ai made appearances on two famous radio shows to promote the album, NHK-FM Saturday Hot Request on May 28, 2005, and her own once off show on All Night Nippon, on July 15, 2005.[5] [6]

Ai toured the album from July to October 2005 with the Japanese seven city tour, Mic-a-holic Ai Japan Tour '05. The tour final at Zepp Tokyo on October 24, 2005, was filmed for Ai's second live DVD, also titled Mic-a-holic Ai Japan Tour '05.[7]

Notes and References

  1. Web site: [CD] MIC-A-HORIC A.I. / AI |work=Neowing | language=Japanese | accessdate=August 26, 2012].
  2. Web site: オリコンランキング情報サービス「you大樹」 . Oricon Ranking Information Service "You Big Tree" . August 20, 2012 . Oricon. (subscription only)
  3. Web site: AI – タイアップ . Ai – tie-ups . CDJournal . August 26, 2012.
  4. Web site: ゲーム『リズム怪盗R 皇帝ナポレオンの遺産』のED曲を担当するAI . Ai, in charge with game Rhythm Thief R: Emperor Napoleon's Legacy's ending song . Oricon . Japanese . October 20, 2011 . August 26, 2012.
  5. Web site: AI クラブ・ツアー決定&NHK-FM公開生放送の観覧者募集中 . Ai, club tour and NHK-FM live broadcast spectator recruitment . Vibe Net . Japanese . May 11, 2005 . August 30, 2012.
  6. Web site: AI 一夜限りの"オールナイトニッポン" . Ai, one night only "All Night Nippon" . Vibe Net . Japanese . July 7, 2005 . August 30, 2012.
  7. Web site: アーティスト情報 AI . Space Shower . Japanese . August 30, 2012.
  8. Web site: AI / Story . CDJournal . Japanese . 2012 . August 30, 2012.
  9. Web site: AI / MIC-A-HOLIC A.I. . CDJournal . Japanese . 2012 . August 30, 2012.
  10. Web site: DISC REVIEW Story by Ai . What's In? . Japanese . August 30, 2012.
  11. Web site: DISC REVIEW MIC-A-HOLIC A.I. by Ai . What's In? . Japanese . August 30, 2012.
  12. Web site: ja:ゴールド等認定作品一覧 2005年7月 . Works Receiving Certifications List (Gold, etc) (May 2007) . http://www.riaj.or.jp/data/others/gold/200507.html . . Japanese . August 10, 2005 . August 26, 2012.
  13. Web site: November 10, 2006 . ja:ゴールド等認定作品一覧 2006年10月 . Works Receiving Certifications List (Gold, etc) (October 2006) . http://www.riaj.or.jp/data/others/gold/200610.html . August 10, 2012 . . Japanese.
  14. Mic-a-holic Ai . . 2005 . Japanese . Universal Music Japan . Tokyo, Japan.
  15. Web site: MIC-A-HOLIC A.I. AI . . 2005 . Japanese . August 22, 2012.
  16. Web site: Weekly Top 20: J-Pop Chart 第29週計算時間: 2005/07/22 – 2005/07/28 . Chinese . G-Music . August 2, 2012 . dead . https://web.archive.org/web/20120830012704/http://www.g-music.com.tw/GMusicBillboard3.aspx . August 30, 2012 . Note: navigate button to 2007, week 29
  17. Web site: AI/ 生為歌唱 AI- Mic-A-Holic A.I . AI/ Born to Sing . G-Music . Chinese . August 26, 2012.
  18. Web site: AI(아이) – MIC-A-HOLIC A.I. . Hot Tracks . Korean . August 20, 2012.
  19. Web site: [DVD] MIC-A-HOLIC A.I JAPAN TOUR '05 [通常版] / AI |work=Neowing | language=Japanese | accessdate=August 26, 2012}} Three songs from this album were sent to music video channels to promote the DVD, "California," "If" and "Story."[7]

    Ai performed "Story" at the 56th NHK Kōhaku Uta Gassen music competition on December 31, 2005, her first appearance on the program.

    Critical reception

    Critics received the album well. The reviews at CDJournal were impressed by the variety of genres, and were extremely impressed with her lyrics. They called "Story" a "genreless dramatic pure ballad," praising her big vocals and the "deep love overflowing" in the lyrics, calling it her version of Bill Withers' "Lean on Me."[8] [9] What's In? called the album "[Ai's] real masterpiece," and called the piano introduction to "Story" "memorable."[10] [11]

    At the 2006 MTV Video Music Awards Japan, "Story" won the award for Best R&B Video.

    Chart performance

    The album debuted at number four in Japan underneath Ketsumeishi, Shōgo Hamada and Def Tech, selling 85,000 copies. In its second week, it remained at number four. The album spent seven weeks in the top 10, and 33 in the top 100. When it had stopped charting in November 2006, it had spent a total of 76 weeks on the charts, selling five and a half times its first week sales. It was initially certified platinum by the RIAJ after its release,[12] but was eventually certified double platinum in October 2006.[13] This is Ai's most commercially successful work, as of 2012.

    In Taiwan, Mic-a-holic Ai spent two weeks charting on G-Music's top 20 Japanese/Korean subchart, peaking at number 18. It did not chart on the main combination chart, however.

    Personnel

    Personnel details were sourced from Mic-a-holic Ais liner notes booklet.[14]

    Managerial

    • Yuki Arai – co-executive producer
    • Naoshi Fujikura – head publicity and promotion
    • Etsuro Iida – artwork coordination
    • Nobuhiko Kakihara – promotion planning
    • Aiichiro Kiyohara – A&R director
    • Kaz Koike – co-executive producer
    • Malu-K – executive producer (#7)
    • Shinki Miura – co-executive producer
    • Atsushi Nakaue – publisher
    • Koichi Sakakibara – artist management
    • Teruhisa Tanaka – publisher

    Performance credits

    • Ai – vocals, background vocals
    • Aaron "AB" Belinfanti – drums, percussion (#12, #15)
    • Damon Bennet – piano (#7)
    • Dave Burnett – bass (#12, #15)
    • Donald "Scooch: Burnside – guitar (#7)
    • Andrea "The Phoenix" Coln – background vocals (#7)
    • Tom Coyne – mastering
    • Jamar "G" Davis – guitar (#7)
    • Deli – rap (#2)
    • D/R Period – all instruments (#4, #6)
    • Ebony Fay – backing vocals (#3)
    • Michael "Bump" Fountain – cuts (#7)
    • Eric "DJ Groove" Harvey – cuts (#7)
    • Icedown – instruments (#3, #5)
    • Noriko Iso – strings (#5)
    • Jino (aka Kenji Hino) – bass (#11)
    • Kenneth Kobori – acoustic guitar (#12), keyboards (#12, #15), synthesizers (#12, #15)
    • T. Kura – all instruments (#1, No. 8, #13)
    • Wilson Montuori – classical guitar, electric guitar (#12, #15)
    • Daniel O. Morgan – backing vocals (#3)
    • Pochi – keyboard (#11)
    • Steph Pockets – background vocals (#7)
    • Shingo S. – keyboard (#11)
    • Sachi – announcement voice (#9)
    • Miyuki Saito – background vocals (#7)
    • Yumi Sakakibara – strings (#5)
    • James Spears – piano (#15)
    • Emily Taguchi – strings (#5)

    Visuals and imagery

    • Noriko Goto – Stylist
    • Akihisa Inoue – design assisting
    • Misato Kumamoto – art direction, design
    • Hiroshi Nomura – photographer
    • Akemi Ono – hair, make-up
    • Emu Yanagihara – microphone sculpture

    Technical and production

    • 2 Soul – arrangement, production (#12, #15)
    • Ai – production (#4)
    • Aquarius – production (#2)
    • Aaron "AB" Belinfanti – editing, instrument recording, programming (#12, #15)
    • C-murder – vocal recording (#10-#11)
    • D.O.I – mixing (#2-#3, #5, #10)
    • DJ Yutaka – arrangement (#11), production (#10, #11), sound effects (#9)
    • D/R Period – co-production (#4), programming (#4, #6)
    • Michael "Bump" Fountain – co-production, engineering (#7)
    • Icedown – programming, production (#3, #5)
    • Masahiro Kawaguchi – mixing (#11)
    • Rich Keller – mixing (#12, #15)
    • T. Kura – arrangement, instrument recording, mixing, production (#1, #8, #13)
    • Yasufumi Maruyama – recording (#2)
    • Taiji Okada – vocal recording (#1, #3-#4, #8, #13)
    • Steph Pockets – production (#7)
    • Geoffrey Rice – assistant engineer (#15)
    • Mitsuro "Boo" Shibamoto – vocal recording (#12, #15)
    • Shingo S. – arrangement, production (#11)
    • Tatsuya Sato – mixing (#4)
    • Yuya Suzuki – recording (#5)
    • Mike Tschupp – assistant engineer (#12)

    Charts

    Weekly charts

    Weekly chart performance for Mic-a-holic Ai!Chart (2005)!Peak
    position
    Japanese Albums (Oricon)[15] 4
    Taiwan J-Pop Chart (G-Music)[16] 18

    Year-end charts

    Year-end chart performance for Mic-a-holic Ai!Chart (2005)!Peak
    position
    Japanese Albums (Oricon)35

    Release history

    Region! scope="col"
    DateFormat(s)Label
    JapanJuly 6, 2005
    TaiwanJuly 19, 2005Universal Taiwan[17]
    South KoreaNovember 26, 2003Universal Korea[18]
    VariousDecember 5, 2012USM Japan

    References

    .