2nd Open Russian Festival of Animated Films explained

Open Russian Festival of Animated Film
Date:1997
Location:Tarusa
Country:Russia
Website:http://www.suzdalfest.ru
Previous:1st Open Russian Festival of Animated Film
Next:3rd Open Russian Festival of Animated Film

The 2nd Open Russian Festival of Animated Films was held in 1997 at a boarding house called "Birch Grove" near the town of Tarusa, Russia. Animated works from the past three years from the Russian Federation were accepted.

The prizes were handed out according to profession, and any member or guest of the festival was able to vote for their favourite film.

Despite the growing economic crisis in the country, it marked an artistic high point in the Russian animation field in the 1990s, and the high quality of the films attracted the attention of the national mainstream media.[1]

Jury

English Profession(s)
Fyodor Khitrukdirector, animator
Nikolai Izvolovcinematologist, film historian
Eduard Nazarovdirector, artist, animator
Yuriy Norshteyndirector, artist, animator, teacher
Aleksandr Florenskiyartist

Prizes of the Jury

Award Recipient(s) Film(s) Links
Best Direction (shared)Mikhail Aldashin
Михаил Алдашин
The Nativity
Рождество (Rozhdestvo)
http://www.animator.ru/db/?ver=eng&p=show_film&fid=1914
Best Direction (shared)Yuriy Cherenkov
Юрий Черенков
The Great Migration
Большая миграция (Bolshaya migratsiya)
http://www.animator.ru/db/?ver=eng&p=show_film&fid=1905
Best ScenarioNadezhda Kuzhushanaya
Надежда Кожушаная
Grandmother
Бабушка (Babushka)
The Pink Doll
Розовая кукла (Rozovaya kukla)
http://www.animator.ru/db/?ver=eng&p=show_film&fid=1862, http://www.animator.ru/db/?ver=eng&p=show_film&fid=1915
Best Art DirectionZoya Trofimova
Зоя Трофимова
The Nativity
Рождество (Rozhdestvo)
http://www.animator.ru/db/?ver=eng&p=show_film&fid=1914
Best Animator of a Drawn FilmAleksandr Petrov
Александр Петров
The Mermaid
Русалка (Rusalka)
http://www.animator.ru/db/?ver=eng&p=show_film&fid=1918
Best Animator of a Puppet FilmOlga Panokina
Ольга Панокина
Abraham
Авраам (Avraam)
Joseph
Иосиф (Iosif)
http://www.animator.ru/db/?ver=eng&p=show_film&fid=1861, http://www.animator.ru/db/?ver=eng&p=show_film&fid=1881
Best Camera OperatorAleksandr Vikhanskiy
Александр Виханский
Abraham
Авраам (Avraam)
http://www.animator.ru/db/?ver=eng&p=show_film&fid=1861
Best CharacterIgor Oleynikov
Игорь Олейников
for the character "Iona"
Iona
Иона
http://www.animator.ru/db/?ver=eng&p=show_film&fid=1880
Best DebutAndrey Zolotukhin
Андрей Золотухин
Grandmother
Бабушка (Babushka)
http://www.animator.ru/db/?ver=eng&p=show_film&fid=1862
"Breakthrough" PrizeValentin OlshvangThe Pink Doll
Розовая кукла (Rozovaya kukla)
Best CommercialAndrey KarpenkoThe Dragonfly
Стрекоза (Strekoza)
The Sausage is Late
Колбаса опаздывает (Kolbasa opazdyvayet)
http://www.animator.ru/db/?ver=eng&p=show_film&fid=1910, http://www.animator.ru/db/?ver=eng&p=show_film&fid=1912

Rating (by audience vote)

Position Film Director Points
1The Nativity
Рождество (Rozhdestvo)
Mikhail Aldashin433
2The Great Migration
Большая миграция (Bolshaya migratsiya)
Yuriy Cherenkov323
3The Mermaid
Русалка (Rusalka)
Aleksandr Petrov228
4The Pink Doll
Розовая кукла (Rozovaya kukla)
Valentin Olshvang218
5Grandmother
Бабушка (Babushka)
Andrey Zolotukhin128
6Joseph
Иосиф (Iosif)
Aida Zyablikova121
7The Song About Unrequited Love to the Motherland
Песня о безответной любви к родине (Pesnya o bezotvetnoy lyubvi k rodine)
?50
8Kings and Cabbage http://www.animator.ru/db/?ver=eng&p=show_film&fid=1883
Короли и капуста (Koroli i kapusta)
Mariya Muat46
9The Pilot Brothers Cook Macaronihttp://www.animator.ru/db/?ver=eng&p=show_film&fid=1993
Братья Пилоты готовят макарончики (Bratya Piloty gotovyat makaronchiki)
Aleksandr Tatarskiy44
10The Life of a Grey Bearhttp://www.animator.ru/db/?ver=eng&p=show_film&fid=1904
Жизнь серого медведя (Zhizn serovo medvedya)
Eduard Belyayev31

External links

Notes and References

  1. Malyukova, Larisa. Сверхкино. 2013, p.301. (Viewable version of the book available here or here): "In 1997 at the second Open Russian Festival for Animated Film in Tarusa, it was unexpectedly discovered that animation not only had not disappeared from the face of the Russian land (there had even been the idea to stage its national funeral), but, on the contrary, had found the remarkable strength for the strongest creative leap. The festival turned into an unforgettable fireworks display of movie events, new names, genres and styles and visions that would determine the future vectors of development of the art. Against the background of a clearly bewildered and pale [Russian] live-action cinema, sunken in the grip of economic and political turmoil, the animators attracted unprecedented attention. The contemporary animated films were talked about not only on the pages of specialist publications, but on TV as well. Newspapers and magazines of the widest circulation started talking about animation, such as "Kommersant", "Izvestia", "Matador", which had not previously been noted connoisseurs of this soulful art."