List of notable events in music that took place in the year 1969.
Among the most significant musical events of 1969 were concerts. At a Rolling Stones concert in Altamont, California, a fan was stabbed to death by Hells Angels, a biker gang that had been hired to provide security for the event. In retrospect, some commentators have concluded that the violence signaled the end of the "hippie" movement, which espoused an ethos of free love and peace. Even more significant was the Woodstock festival, where som of the most famous performers in the world at the time played together in an atmosphere of peace with nature and love, with many thousands of concert goers; it is still one of the largest concerts in the history of the world. The presence of Ravi Shankar reflected a growing interest in Indian and other Eastern music; Shankar later said that the 1960s "got India wrong".[1] "Black Woodstock", the Harlem Cultural Festival, took place in New York City.[2] The Beatles' rooftop concert was the last time the band played together in public. The 1967 musical Hair, originally performed off-Broadway, had generated an album and multiple chart hits in successive years, such as "Aquarius/Let the Sunshine In" and "Good Morning Starshine".[3]
The Isle of Wight Festival in the UK saw the return of Bob Dylan to live performance after his motorbike accident in 1966.[4]
US and UK pop music remained popular worldwide, with few European acts making the charts outside their home countries; exceptions included Jane Birkin & Serge Gainsbourg, Shocking Blue, Georges Moustaki, Aphrodite's Child and Christian Anders.[5]
David Bowie's "Space Oddity" was released at the time that American astronauts first landed on the Moon. The song, the story of an astronaut named Major Tom who goes into space and is entranced by the beauty of seeing Earth from such a great distance and consequently lets himself float off into space, never again to return, was chosen by the BBC as background music for the television coverage of the Moon landing. The remainder of the album, Man of Words/Man of Music, was too eccentric for mainstream acceptance, though it established Bowie as a major performer and songwriter.
King Crimson's In the Court of the Crimson Kingn a pioneering album in the development of progressive rock, drew upon contemporary influences to form a sound melding rock and roll with classical influences in long pieces of music. Similar albums by The Moody Blues, Procol Harum and The Nice, as well as Genesis, Yes and Pink Floyd, were also released this year, expanding the range of prog rock and developing it into a full-fledged genre.
The Stooges' eponymous debut album, The Stooges, released in the United States to little critical or popular acceptance, went on to become one of the most important recordings in the early development of punk rock,[6] as did Kick Out The Jams by Detroit protopunkers MC5.
Johnny Cash's At San Quentin included his first Top Ten pop hit, "A Boy Named Sue". The album was a sequel to 1968's At Folsom Prison. Also in country music, Merle Haggard's Same Train, Different Time, a tribute to Jimmie Rodgers, was enormously popular and influenced the development of the Bakersfield sound into outlaw country within a few years.
Creedence Clearwater Revival cemented their success from the previous year. Having had a single US number 11 hit in 1968 with "Suzie Q", they releases their second, third and fourth proper studio albums in 1969, as well as drawing a total of four top 3 hits from these three albums. Starting with Bayou Country, including the US number 2 hit "Proud Mary", and continuing with Green River and finally Willy and the Poor Boys, which, during the year, transformed them from an up-and-coming underground act to bona fide rock stars. During 1969, Creedence Clearwater Revival had number 2 hits in the US with "Proud Mary", "Green River" and "Bad Moon Rising", and also have a number 3 hit with "Down on the Corner"/"Fortunate Son".
Gilberto Gil and Caetano Veloso released enormously popular albums in Brazil, Gilberto Gil and Caetano Veloso, respectively. The pair's fusion of bossa nova, samba and other native Brazilian folk influences, melded with politically and socially aware lyrics, kickstarted what came to be known as Tropicalia. Both musicians moved to London after a period of imprisonment for anti-government activities in Brazil.
The UK band Family released their second album, Family Entertainment, their first top 10 album in the United Kingdom, hitting number six, with "The Weaver's Answer" becoming their most popular song in their concert performances. By the end of the year, however, their first attempt to break through commercially in the United States had failed miserably.
Elvis Presley returned to live performances at the International Hotel in Las Vegas; breaking all attendance records in his 57-concert run. He also enjoyed great success with his singles "In the Ghetto" and "Suspicious Minds".
The Wendy Carlos album Switched-On Bach was one of the first classical albums to sell 500,000 copies, and helped bring classical music into the popular sphere, as did Mason Williams' "Classical Gas", played on classical guitar, in addition to being accompanied by one of the first successful music videos.[7] The composition won three Grammy Awards: Best Instrumental Composition, Best Contemporary-Pop Performance, Instrumental, and Best Instrumental Arrangement.[8] In the meantime, German trumpeter Manfred Schoof's free jazz album, European Echoes, a recording of his half-hour free improvisation broadcast on German radio in June 1969, featured international musicians and is regarded as a seminal album in the genre.
After the commercial failure of her last two albums, Cher starred in the film "Chastity" which had a soundtrack album produced by Sonny Bono. SHer 6th solo studio album, 3614 Jackson Highway, was also a commercial failure, but was where she first explored blues and soul music, being highly praised by critics for her musical and vocal evolution.
Chutney music was also first recorded in 1969, in Trinidad and Tobago by Sundar Popo.
1969 was the last year in which the United States government gave greater financial support, through the National Endowment for the Arts (NEA) "Music Program" to opera than it did to other classical music, and the first year in which it gave any support at all to jazz and folk music.[9]
New York City Ballet celebrated their 25th anniversary with performances at the David H. Koch Theater Lincoln Center.
Day | Album | Artist | Notes |
---|---|---|---|
6 | The Holy Land | - | |
13 | Led Zeppelin | US Debut | |
Yellow Submarine | Soundtrack | ||
15 | Bayou Country | [21] | |
17 | Babylon | - | |
Ball | - | ||
Soul '69 | - | ||
30 | Moby Grape '69 | - | |
– | Birthday Blues | - | |
Donovan's Greatest Hits | Compilation | ||
English Rose | Compilation | ||
First Edition '69 | - | ||
Ramblin' Gamblin' Man | - | ||
Irresistible | Tammi Terrell | Solo debut | |
Till | - | ||
What We Did on Our Holidays | - | ||
The Live Adventures of Mike Bloomfield and Al Kooper | - | ||
Day | Album | Artist | Notes | |
---|---|---|---|---|
2 | Perspective | Rick Nelson | ||
5 | Goodbye | - | ||
6 | The Gilded Palace of Sin | Debut | ||
10 | 20/20 | - | ||
11 | Sound of Sexy Soul | - | ||
15 | Instant Replay | - | ||
17 | Cloud Nine | - | ||
21 | Postcard | Debut | ||
22 | Stonedhenge | - | ||
rowspan="7" style="vertical-align:top;" | - | Bless Its Pointed Little Head | Live | |
O.K. Ken? | - | |||
Kick Out the Jams | Live, Debut | |||
Odessa | - | |||
Mutantes | - | |||
Near the Beginning | - | |||
Contact | - | |||
Day | Album | Artist | Notes |
---|---|---|---|
5 | Dr. Byrds & Mr. Hyde | - | |
7 | From Genesis to Revelation | Debut | |
14 | Tons of Sobs | Debut | |
17 | Freedom Suite | - | |
21 | Bull of the Woods | - | |
24 | Mothermania | Compilation | |
– | At Your Birthday Party | - | |
Family Entertainment | - | ||
Dusty in Memphis | - | ||
Happy Trails | - | ||
Yer' Album | Debut | ||
Just to Satisfy You | - | ||
My Way | - | ||
New! Improved! | - | ||
Outta Season | - | ||
Say It Loud, I'm Black and I'm Proud | - | ||
Scott 3 | - | ||
Spooky Two | - | ||
The Velvet Underground | - | ||
Wheatfield Soul | - | ||
Galveston | - | ||
Day | Album | Artist | Notes | |
---|---|---|---|---|
4 | Brother Love's Traveling Salvation Show | - | ||
7 | Nazz Nazz | - | ||
Songs from a Room | - | |||
8 | Three Week Hero | - | ||
9 | Nashville Skyline | - | ||
15 | Green Is Blues | - | ||
Johnny Winter | - | |||
21 | Uncle Meat | Soundtrack | ||
23 | With a Little Help from My Friends | Debut | ||
25 | On the Threshold of a Dream | - | ||
28 | The Chicago Transit Authority | Debut | ||
30 | M.P.G. | - | ||
rowspan="9" style="vertical-align:top;" | - | Taste | Debut | |
Blue Matter | - | |||
Hair | Various Artists | London cast | ||
It's Our Thing | - | |||
Joyride[22] | - | |||
Our Mother the Mountain | - | |||
Elephant Mountain | - | |||
Soft and Beautiful | - | |||
Soulful | - | |||
Day | Album | Artist | Notes |
---|---|---|---|
1 | Clouds | - | |
9 | Beginnings | Debut | |
Electronic Sound | - | ||
- | |||
12 | After the Rain | - | |
14 | Everybody Knows This Is Nowhere | - | |
16 | Rehearsals for Retirement | - | |
Unicorn | - | ||
19 | Tommy | [23] | |
Pickin' Up the Pieces | Debut | ||
Oar | - | ||
More Today Than Yesterday | - | ||
23 | Surround Yourself with Cilla | - | |
26 | Let the Sunshine In | - | |
29 | Crosby, Stills & Nash | Debut | |
– | Stand! | - | |
A Black Man's Soul | - | ||
The Age of Aquarius | The 5th Dimension | - | |
The Booker T. Set | - | ||
California Bloodlines | - | ||
David's Album | - | ||
Gettin' Down to It | - | ||
Hollies Sing Dylan | - | ||
Home | Debut | ||
Last Exit | - | ||
The Meters | Debut | ||
Motor-Cycle | - | ||
This Is Tom Jones | - | ||
The Young Mods' Forgotten Story | - | ||
Day | Album | Artist | Notes |
---|---|---|---|
2 | From Elvis in Memphis | [24] | |
4 | At San Quentin | Live | |
5 | Folkjokeopus | - | |
6 | Empty Sky | Debut | |
11 | Suitable for Framing | - | |
13 | More | Soundtrack | |
16 | Brave New World | - | |
Trout Mask Replica | - | ||
20 | 3614 Jackson Highway | - | |
Aoxomoxoa | - | ||
Chastity | Soundtrack | ||
First Take | Debut | ||
25 | Pretties for You | Alice Cooper | Debut |
30 | Always, Always | - | |
– | Beck-Ola | - | |
Deep Purple | US; third album | ||
It's a Beautiful Day | Debut | ||
Best of Bee Gees | Compilation | ||
Concerto in B. Goode | - | ||
Bubblegum, Lemonade, and... Something for Mama | - | ||
An Electric Storm | Debut | ||
In Person | Ike & Tina Turner and The Ikettes | Live | |
Just Good Old Rock and Roll | - | ||
Lee Michaels | - | ||
Love Man | - | ||
Pongo en tus manos abiertas | - | ||
A Salty Dog | - | ||
Jane Birkin/Serge Gainsbourg | - |
Day | Album | Artist | Notes | |
---|---|---|---|---|
4 | Five Leaves Left | Debut | ||
Unhalfbricking | - | |||
Maybe Tomorrow | Debut | |||
8 | Hallelujah | - | ||
10 | Happy Sad | - | ||
18 | The Soft Parade | - | ||
21 | Blind Faith | Debut | ||
25 | Ahead Rings Out | Debut | ||
Yes | Debut | |||
29 | Preflyte | Compilation | ||
30 | In a Silent Way | - | ||
Truly Fine Citizen | - | |||
rowspan="10" style="vertical-align:top;" | - | 2525 (Exordium and Terminus) | Debut | |
Early Steppenwolf | Live 1967 | |||
Here We Are Again | - | |||
If Only for a Moment | - | |||
More of Old Golden Throat | Compilation | |||
Mountain | Debut | |||
The Original Delaney & Bonnie & Friends | - | |||
Wasa Wasa | Debut | |||
What About Today? | - | |||
Day | Album | Artist | Notes | |
---|---|---|---|---|
1 | As Safe as Yesterday Is | Debut | ||
Stand Up | - | |||
Tadpoles | Released on June 9 in US | |||
5 | The Stooges | Debut | ||
7 | Green River | [25] | ||
11 | Barabajagal | - | ||
14 | - | |||
15 | Mourning in the Morning | - | ||
18 | Fathers and Sons | - | ||
22 | Santana | Debut | ||
25 | On Time | Debut | ||
27 | Boz Scaggs | - | ||
29 | My Cherie Amour | - | ||
Songs for a Tailor | Solo debut | |||
rowspan="8" style="vertical-align:top;" | - | The Association | - | |
Give It Away | - | |||
Harry | - | |||
It's a Mother | - | |||
Monster Movie | Debut | |||
The Popcorn | - | |||
Ssssh | - | |||
The Head Shop | - |
Day | Album | Artist | Notes | |
---|---|---|---|---|
11 | I Got Dem Ol' Kozmic Blues Again Mama! | Solo debut | ||
12 | Through the Past, Darkly (Big Hits Vol. 2) | Compilation | ||
16 | Easy | - | ||
19 | Then Play On | - | ||
22 | The Band | - | ||
23 | Hot Buttered Soul | - | ||
Puzzle People | - | |||
Together | Diana Ross & the Supremes and The Temptations | Duets | ||
24 | New York Tendaberry | - | ||
26 | Abbey Road | - | ||
30 | At Home | - | ||
Get Ready | - | |||
rowspan="14" style="vertical-align:top;" | - | 2 Ozs of Plastic with a Hole in the Middle | - | |
Canned Wheat | - | |||
Four Sail | - | |||
Love Chronicles | - | |||
Nice | - | |||
Noah | - | |||
Rock & Roll | - | |||
The Aerosol Grey Machine | Debut | |||
Spare Parts | - | |||
A Step Further | Live + studio | |||
Supersnazz | Debut | |||
These Things Too | - | |||
Townes Van Zandt | - | |||
Volume Two | - | |||
Day | Album | Artist | Notes |
---|---|---|---|
1 | Juicy Lucy | Debut | |
The Monkees Present | - | ||
6 | Get Together with Andy Williams | - | |
9 | Ticket to Ride | Previously titled as Offering. Debut | |
10 | Arthur (Or the Decline and Fall of the British Empire) | - | |
Hot Rats | - | ||
In the Court of the Crimson King | Debut | ||
13 | Give Me Your Love for Christmas | Christmas | |
14 | Elvis in Person at the International Hotel, Las Vegas, Nevada | Live | |
Rhymes and Reasons | Debut | ||
16 | Captured Live at the Forum | Live | |
20 | Wedding Album | - | |
22 | Led Zeppelin II | - | |
27 | Second Winter | - | |
29 | Willy and the Poor Boys | [26] | |
– | Live at Yankee Stadium | Live | |
Basket of Light | - | ||
Affectionately Melanie | - | ||
The Battle of North West Six | - | ||
Keep On Moving | - | ||
Clear | - | ||
The Deviants 3 | - | ||
Free | - | ||
The Hunter | Ike & Tina Turner | – | |
Renaissance | Debut | ||
Tom Jones Live in Las Vegas | Live | ||
Turtle Soup | - | ||
Day | Album | Artist | Notes |
---|---|---|---|
3 | Cream of the Crop | - | |
Four in Blue | - | ||
4 | The Allman Brothers Band | Debut | |
7 | Ummagumma | Double LP; live + studio[27] | |
Manfred Mann Chapter Three | - | ||
Valentyne Suite | - | ||
10 | Ballad of Easy Rider | - | |
Live/Dead | Double LP; live | ||
14 | David Bowie | Re-titled Space Oddity | |
The Autumn Stone | compilation | ||
Touching You, Touching Me | - | ||
17 | Eight Miles High | - | |
21 | To Our Children's Children's Children | - | |
24 | Blue Afternoon | - | |
29 | Almendra | - | |
- | Volunteers | - | |
Mott the Hoople | Debut | ||
A Way of Life | Debut | ||
Scott 4 | - | ||
Changing Horses | The Incredible String Band | - | |
Hollies Sing Hollies | - | ||
Joe Cocker! | - | ||
Joy of a Toy | Solo debut | ||
Keynsham | - | ||
Monster | - | ||
The Rod Stewart Album | US; released Feb. 13, 1970, in UK as An Old Raincoat Won't Ever Let You Down; solo debut | ||
Rock Salt & Nails | - | ||
The Spice of Life (Marlena Shaw album) | - | ||
100 Ton Chicken | - | ||
Town and Country | - | ||
Your Saving Grace | - | ||
Day | Album | Artist | Notes | |
---|---|---|---|---|
5 | Let It Bleed | - | ||
Completely Well | - | |||
12 | Live Peace in Toronto 1969 | Live | ||
18 | Diana Ross Presents The Jackson 5 | Debut | ||
29 | Grand Funk | - | ||
Okie from Muskogee | - | |||
31 | Out Here | - | ||
rowspan="5" style="vertical-align:top;" | - | Concerto for Group and Orchestra | Live | |
6- and 12-String Guitar | Debut | |||
Blue Cheer | - | |||
Ceremony | - | |||
Liege & Lief | - | |||
from Billboard December 27, 1969
TOP RECORDS OF 1969 (Based on Billboard Charts)The information compiled for the Top Records of 1969 was based on the weekly chart positioning and length of time records were on the respective charts from the Billboard issue dates of January 4, 1969, through December 13, 1969. These recaps, as well as the weekly charts, do not reflect actual sales figures. The ratings take into account the number of weeks the disk was on the chart, plus the weekly positions it held during its chart life. Each disk was given points accordingly for its respective chart. These recaps were compiled by the staff of the Billboard Popularity Charts Department, under the direction of Andy Tomko.NOTE: Since the singles charts listed the most popular single sides and not the single record (with both sides) for the first 47 weeks of the year, the recaps list single sides in order of strength. In the case of a two-sided hit single, both sides were listed in the recaps based on the individual strength on the weekly chart.
The 1969 Billboard year-end list is composed of records that entered the Billboard Hot 100 during November–December 1968 (only when the majority of chart weeks were in 1969), January to November–December 1969 (majority of chart weeks in 1969). Records with majority of chart weeks in 1968 or 1970 are included in the year-end charts for those years, respectively, and multiple appearances are not permitted. Each week thirty points were awarded to the number one record, then nineteen points for number two, eighteen points for number three, and so on. The total points a record earned determined its year-end rank. The complete chart life of each record is represented. There are no ties, even when multiple records have the same number of points. The next ranking category is peak chart position, then weeks at peak chart position, weeks in top ten, weeks in top forty, and finally weeks on Hot 100 chart.
The chart can be sorted by Artist, Song title, Recording and Release dates, Cashbox year-end ranking (CB) or units sold (sales) by clicking on the column header. Additional details for each record can be accessed by clicking on the song title, and referring to the Infobox in the right column of the song page. Billboard also has chart summaries on its website. Cashbox rankings were derived by same process as the Billboard rankings. Sales information was derived from the RIAA's Gold and Platinum database, the BRIT Certified database and The Book of Golden Discs,[28] but numbers listed should be regarded as estimates. Grammy Hall of Fame and National Recording Registry information with sources can be found on Wikipedia.
Artist | Title | Label | Recorded | Release Date | CB | Sales | Charts, Awards | ||||
---|---|---|---|---|---|---|---|---|---|---|---|
1 | "Aquarius/Let The Sunshine In (The Flesh Failures)" | Soul City 772 | December 1968 | March 1, 1969 | 1 | 8.00 | US Billboard 1969 #1, Hot100 #1 for 6 weeks, 17 total weeks, 284 points, Grammy Hall of Fame 2004 | ||||
2 | "Sugar, Sugar" | Calendar 63-1008 | April 1969 | May 24, 1969 | 2 | 6.00 | US Billboard 1969 #2, Hot100 #1 for 4 weeks, 22 total weeks, 270 points | ||||
3 | "Honky Tonk Women" | London 910 | June 12, 1969 | July 11, 1969 | 3 | 1.00 | US Billboard 1969 #3, Hot100 #1 for 4 weeks, 15 total weeks, 242 points, Grammy Hall of Fame 2014 | ||||
4 | "Get Back" | Apple 2490 | January 28, 1969 | May 5, 1969 | 4 | 8.00[29] | Top Rock Tracks 1969 #3, US Billboard 1969 #4, Hot100 #1 for 5 weeks, 12 total weeks, 226 points | ||||
5 | "In The Year 2525 (Exordium & Terminus)" | RCA Victor 74-0174 | March 1969 | April 1969 | 5 | 8.00 | US Billboard 1969 #5, Hot100 #1 for 6 weeks, 13 total weeks, 224 points | ||||
6 | "Everyday People" | Epic 10407 | September 1968 | November 1, 1968 | 7 | 1.25 | US Billboard 1969 #6, Hot100 #1 for 4 weeks, 19 total weeks, 218 points | ||||
7 | "Crimson And Clover" | Roulette 7028 | November 1968 | December 1968 | 14 | 1.00 | US Billboard 1969 #7, Hot100 #1 for 2 weeks, 16 total weeks, 216 points | ||||
8 | "Dizzy" | ABC 11164 | October 1968 | November 13, 1968 | 9 | 1.00 | US Billboard 1969 #8, Hot100 #1 for 4 weeks, 15 total weeks, 204 points | ||||
9 | "I Can't Get Next To You" | Gordy 7093 | July 3, 1969 | July 30, 1969 | 19 | 1.25 | US Billboard 1969 #9, Hot100 #1 for 2 week, 17 total weeks,[30] 204 points, Top Soul Singles 1969 #1, Hot Soul Singles #1 for 5 weeks, 15 total weeks, 288 points | ||||
10 | "Leaving on a Jet Plane" | Warner Bros. 7340 | December 1966 | September 18, 1969 | 13 | 1.00 | US Billboard 1969 #10, Hot100 #1 for 1 week, 17 total weeks, 197 points, Top Easy Listening Singles 1969 #5, Easy Listening Singles #1 for 3 weeks, 16 total weeks, 212 points, Grammy Hall of Fame 1998 | ||||
11 | The 5th Dimension | "Wedding Bell Blues" | Soul City 779 | December 1968 | September 1969 | 6 | 8.00 | US Billboard 1969 #11, Hot100 #1 for 3 weeks, 15 total weeks, 193 points | |||
12 | The Beatles | "Come Together" | Apple 2654 | July 30, 1969 | October 6, 1969 | 10 | 8.00 | Top Rock Tracks 1969 #7, US Billboard 1969 #12, Hot100 #1 for 1 week, 16 total weeks, 186 points | |||
13 | "Someday We'll Be Together" | Motown 1156 | June 13, 1969 | October 14, 1969 | 12 | 2.00 | US Billboard 1969 #13, Hot100 #1 for 1 week, 16 total weeks, 181 points, Top Soul Singles 1969 #3, Hot Soul Singles #1 for 4 weeks, 15 total weeks, 254 points | ||||
14 | The Beatles | "Something" | Apple 2654 | August 1969 | October 6, 1969 | 26 | 8.00 | US Billboard 1969 #14, Hot100 #1 for 1 week, 16 total weeks, 177 points | |||
15 | Steam | "Na Na Hey Hey Kiss Him Goodbye" | Fontana 1667 | July 1969 | August 1969 | 31 | 1.00 | US Billboard 1969 #15, Hot100 #1 for 2 weeks, 16 total weeks, 170 points | |||
16 | "Love Theme from Romeo and Juliet" | Uni 55066 | February 1969 | March 1969 | 17 | 1.00 | US Billboard 1969 #16, Hot100 #1 for 2 weeks, 14 total weeks, 168 points | ||||
17 | "Hair" | MGM 13810 | January 1969 | February 1969 | 8 | 1.00 | US Billboard 1969 #17, Hot100 #2 for 2 weeks, 15 total weeks, 158 points | ||||
18 | Tommy James and the Shondells | "Crystal Blue Persuasion" | Atlantic 2537 | November 1968 | May 1969 | 35 | 1.00 | US Billboard 1969 #18, Hot100 #2 for 3 weeks, 15 total weeks, 157 points | |||
19 | "Proud Mary" | Fantasy 619 | October 1968 | December 28, 1968 | 36 | 1.25 | Top Rock Tracks 1969 #4, US Billboard 1969 #19, Hot100 #2 for 3 weeks, 14 total weeks, 149 points, Grammy Hall of Fame 1998 | ||||
20 | "Build Me Up Buttercup" | Uni 55101 | April 1968 | December 3, 1968 | 11 | 1.00 | US Billboard 1969 #20, Hot100 #3 for 3 weeks, 15 total weeks, 148 points | ||||
21 | "Suspicious Minds" | RCA Victor 47-9764 | January 22, 1969 | August 26, 1969 | 15 | 1.00 | US Billboard 1969 #21, Hot100 #1 for 1 week, 15 total weeks, 144 points, Grammy Hall of Fame 1999 | ||||
22 | Sly and the Family Stone | "Hot Fun in the Summertime" | Epic 10555 | May 1969 | July 21, 1969 | 68 | 1.25 | US Billboard 1969 #22, Hot100 #2 for 2 weeks, 16 total weeks, 143 points | |||
23 | "Spinning Wheel" | Columbia 44871 | October 1968 | May 1969 | 30 | 1.00 | US Billboard 1969 #23, Hot100 #2 for 3 weeks, 13 total weeks, 141 points | ||||
24 | Diana Ross and the Supremes and the Temptations | "I'm Gonna Make You Love Me" | Motown 1135 | October 1968 | November 21, 1968 | 20 | 1.00 | US Billboard 1969 #24, Hot100 #2 for 2 weeks, 13 total weeks, 140 points | |||
25 | Oliver | "Jean" | Crewe 334 | April 1969 | July 1969 | 27 | 1.00 | US Billboard 1969 #25, Hot100 #2 for 2 weeks, 14 total weeks, 139 points, Top Easy Listening Singles 1969 #4, Easy Listening Singles #1 for 4 weeks, 14 total weeks, 232 points | |||
26 | "Sweet Caroline (Good Times Never Seemed So Good)" | Uni 55136 | March 31, 1969 | May 28, 1969 | 34 | 1.00 | US Billboard 1969 #26, Hot100 #4 for 2 weeks, 14 total weeks, 138 points, Grammy Hall of Fame 2020, National Recording Registry 2018 | ||||
27 | "Whole Lotta Love" | Atlantic 2690 | August 1969 | November 7, 1969 | 18 | 6.00 | Top Rock Tracks 1969 #2, US Billboard 1969 #27, Hot100 #4 for 1 week, 15 total weeks, 137 points, Grammy Hall of Fame 2007 | ||||
28 | "A Boy Named Sue" | Columbia 44944 | May 7, 1969 | July 2, 1969 | 28 | 1.25 | US Billboard 1969 #28, Hot100 #2 for 3 weeks, 12 total weeks, 136 points, Top Country Singles 1969 #4, Country Singles #1 for 5 weeks, 14 total weeks, 220 points, National Recording Registry 2003 | ||||
29 | "One" | Dunhill 4191 | March 1969 | April 1969 | 24 | 1.00 | US Billboard 1969 #29, Hot100 #5 for 3 weeks, 16 total weeks, 136 points | ||||
30 | Creedence Clearwater Revival | "Bad Moon Rising" | Fantasy 622 | March 1969 | April 1969 | 33 | 1.25 | US Billboard 1969 #30, Hot100 #2 for 1 weeks, 14 total weeks, 135 points | |||
31 | The Doors | "Touch Me" | T-Neck 901 | November 1968 | December 1968 | 16 | 1.00 | US Billboard 1969 #31, Hot100 #3 for 1 week, 13 total weeks, 135 points | |||
32 | "It's Your Thing" | T-Neck 901 | March 1969 | March 1969 | 25 | 1.00 | US Billboard 1969 #32, Hot100 #2 for 1 week, 14 total weeks, 133 points, Top Soul Singles 1969 #6, Hot Soul Singles #1 for 4 weeks, 14 total weeks, 240 points | ||||
33 | Creedence Clearwater Revival | "Green River" | Fantasy 625 | June 1969 | July 1969 | 41 | 1.25 | US Billboard 1969 #33, Hot100 #2 for 1 weeks, 13 total weeks, 132 points | |||
34 | Blood, Sweat and Tears | "You've Made Me So Very Happy" | Columbia 44776 | October 16, 1968 | February 1969 | 29 | 1.00 | US Billboard 1969 #34, Hot100 #2 for 3 weeks, 13 total weeks, 131 points | |||
35 | Blood, Sweat and Tears | "And When I Die" | Columbia 45000 | October 16, 1968 | September 30, 1969 | 22 | 1.00 | US Billboard 1969 #35, Hot100 #2 for 1 week, 13 total weeks, 128 points | |||
36 | "Too Busy Thinking About My Baby" | Tamla 54181 | March 1969 | April 2, 1969 | 60 | 6.00 | US Billboard 1969 #36, Hot100 #4 for 1 week, 15 total weeks, 126 points, Top Soul Singles 1969 #2, Hot Soul Singles #1 for 6 weeks, 15 total weeks, 279 points | ||||
37 | Creedence Clearwater Revival | "Down on the Corner" | Fantasy 634 | August 1969 | October 1969 | 100 | 1.25 | US Billboard 1969 #37, Hot100 #3 for 1 week, 15 total weeks, 125 points |
1 | The Temptations | "I Can't Get Next To You" | see number 9. | |||||||
2 | Marvin Gaye | "Too Busy Thinking 'Bout My Baby" | see number 36. | |||||||
3 | Diana Ross and the Supremes | "Someday We'll Be Together" | see number 13. | |||||||
4 | "What Does It Take (To Win Your Love)" | Soul 35062 | August 1968 | October 1968 | 52 | 1.00 | US Billboard 1969 #43, Hot100 #5 for 2 weeks, 14 total weeks, 113 points, Top Soul Singles 1969 #4, Hot Soul Singles #1 for 2 weeks, 16 total weeks, 244 points | |||
5 | "Baby, I'm For Real" | Soul 35066 | August 7, 1968 | August 1968 | 160 | 1.00 | US Billboard 1969 #84, Hot100 #10 for 1 week, 11 total weeks, 59 points, Top Soul Singles 1969 #5, Hot Soul Singles #1 for 5 weeks, 17 total weeks, 243 points | |||
6 | The Isley Brothers | "It's Your Thing" | see number 32. |
1 | Johnny Cash | "Daddy Sang Bass" | Columbia 44689 | September 1968 | November 6, 1968 | 187 | 1.00 | US Billboard 1969 #286, Hot100 #42 for 2 weeks, 12 total weeks, Top Country Singles 1969 #1, Country Singles #1 for 6 weeks, 20 total weeks, 269 points | |||
2 | "(I'm So) Afraid of Losing You Again" | RCA Victor 0265 | August 28, 1968 | October 1969 | 179 | 1.00 | US Billboard 1969 #479, Hot100 #74 for 1 week, 16 total weeks, 4 points, Top Country Singles 1969 #2, Country Singles #1 for 3 weeks, 16 total weeks, 238 points, Grammy Hall of Fame 1999, National Recording Registry 2010 | ||||
3 | "Okie From Muskogee" | Capitol 2626 | August 17, 1969 | September 29, 1969 | 179 | 1.00 | US Billboard 1969 #427, Hot100 #63 for 1 week, 6 total weeks, Top Country Singles 1969 #3, Country Singles #1 for 4 weeks, 16 total weeks, 227 points | ||||
4 | Johnny Cash | "A Boy Named Sue" | see number 28. | ||||||||
5 | Sonny James | "Only the Lonely" | Capitol 2370 | December 1968 | January 1969 | 187 | 1.00 | US Billboard 1969 #580, Hot100 #92 for 2 weeks, 4 total weeks, Top Country Singles 1969 #5, Country Singles #1 for 3 weeks, 16 total weeks, 206 points |
| Top Easy Listening Singles 1969
1 | "I've Gotta Be Me" | Reprise 0779 | October 26, 1968 | December 14, 1968 | 44 | 1.00 | US Billboard 1969 #98, Hot100 #11 for 1 week, 16 total weeks, 47 points, Top Easy Listening Singles 1969 #1, Easy Listening Singles #1 for 7 weeks, 20 total weeks, 320 points | |||
2 | "Galveston" | Capitol 2428 | March 18, 1969 | May 2, 1969 | 44 | 1.00 | US Billboard 1969 #46, Hot100 #4 for 1 week, 12 total weeks, 107 points, Top Easy Listening Singles 1969 #2, Easy Listening Singles #1 for 6 weeks, 13 total weeks, 245 points | |||
3 | "You Gave Me a Mountain" | ABC 11174 | Nov 25, 1968 | Jan 4, 1969 | 44 | 1.00 | US Billboard 1969 #171, Hot100 #24 for 2 weeks, 11 total weeks, Top Easy Listening Singles 1969 #3, Easy Listening Singles #1 for 2 weeks, 16 total weeks, 242 points | |||
4 | Oliver | "Jean" | ||||||||
5 | Peter, Paul & Mary | "Leavin' On A Jet Plane" |
1 | "Whipping Post" | Atco 308 | August 7, 1969 | November 4, 1969 | 44 | Top Rock Tracks 1969 #1, from The Allman Brothers Band - Atco 308 | |||||
2 | Led Zeppelin | "Whole Lotta Love" | see number 27, from Led Zeppelin II - Atlantic 8236. | ||||||||
3 | The Beatles | "Get Back" | see number 4, from Apple single 2490. | ||||||||
4 | Creedence Clearwater Revival | "Proud Mary" | see number 19, from Bayou Country - Fantasy 8387. | ||||||||
5 | "Can't Find My Way Home" | Atco 304 | March 1969 | August 1969 | Top Rock Tracks 1969 #5, from Blind Faith - Atco 304 | ||||||
6 | "We're Not Gonna Take It" | Decca 732519 | February 7, 1969 | July 5, 1969 | 422 | Top Rock Tracks 1969 #6, US Billboard 1969 #250b, from Tommy - Decca 7205 | |||||
7 | The Beatles | "Come Together" | see number 12, from Abbey Road - Apple 383. | ||||||||
8 | "Down by the River" | Reprise 0836 | January 17, 1969 | May 14, 1969 | 1.00 | Top Rock Tracks 1969 #8, from Everybody Knows This Is Nowhere - Reprise 6349 | |||||
9 | "Gimme Shelter" | London 4 | October 26, 1969 | December 5, 1969 | Top Rock Tracks 1969 #9, from Let It Bleed - London 4. | ||||||
10 | "Living in the Past" | Island 6056 | March 18, 1969 | May 2, 1969 | Top Rock Tracks 1969 #10, from Island single 6056. | ||||||
11 | "Midnight Rambler" | London 4 | March 11, 1969 | December 5, 1969 | Top Rock Tracks 1969 #11, from Let It Bleed - London 4. |
See main article: 1969 in jazz.