Nationality words link to articles with information on the nation's poetry or literature (for instance, Irish or French poetry).
In Dodsley's Museum of September 13, a literary periodical, Mark Akenside publishes two lists of personages: One, "The Temple of Modern Fame, A Vision", a list of the 24 most famous men of modern times, ranked in order of fame and including monarchs, scientists, priests, philosophers and men of letters. French poet and critic Boileau is ranked 20th, beneath Tasso and Ariosto but above Francis Bacon, John Milton Miguel de Cervantes and Molière. (William Shakespeare, Dante, Cornielle and Racine aren't on the list at all).)[2] In some accompanying prose, Akenside wrote:
At the next trumpet, the tutelary of France went out with the assured air that was natural to her, and brought in a tall, slender man in a large wig, with a very fine sneer upon his face. She said his name was Boileau and that nobody could pretend to dispute that place with him. However, the stately genius of England opposed her; her remonstrances prevailed, and Pope took the place which Boileau thought belonged to him.
The second list, "The Balance of Poets", is a table, giving 20 modern and 20 ancient poets marks of up to 20 points in each of the following categories: Critical Ordonnance, Pathetic Ordonnance, Dramatic Ordonnance, Incidental Expression, Taste, Colouring, Versification, Moral, and Final Estimate. Boileau's "Final Estimate" rating is 12, the same as Euripides and Tasso, better than Lucretius and Terence (who both get 10), Ariosto, Dante, Horace, Pindar, Alexander Pope, Racine and Sophocles each get 13. "Perhaps neither of these curiosities of criticism is to be taken very seriously", wrote Alexander Clark, an early 20th-century literary historian.[2] (See also, Oliver Goldsmith's "poetical scale" of 1758.)
Death years link to the corresponding "[year] in poetry" article:
Birth years link to the corresponding "[year] in poetry" article: