16:9 aspect ratio explained

16:9 is a widescreen aspect ratio with a width of 16 units and height of 9 units.

Once seen as an "exotic" aspect ratio,[1] since 2009, it has become the most common aspect ratio for televisions and computer monitors, and is also the universal standard image format for the universal 1080p, 2160p and 4320p formats.

16:9 or "sixteen-nine" is the universal widescreen standard format[2] and Wide-aspect Clear-vision.[3] Japan's Hi-Vision originally started with a ratio but converted when the international standards group introduced the wider ratio . Many digital video cameras have the capability to record in 16:9, and this is the only widescreen aspect ratio natively supported by Blu-ray Disc. It is also the native aspect ratio of the Blu-ray Disc, but Blu-ray Disc producers can also choose to show even a wider ratio such as 2.40:1 within the 16:9 frame adding Letterbox black bars within the image itself.

History

Kerns H. Powers, a member of the SMPTE Working Group on High-Definition Electronic Production, first proposed the 16:9 (1.7:1) aspect ratio in 1984. The popular choices in 1980 were 4:3 (based on TV standard's ratio at the time), 15:9 (5:3) (the European "flat" 1.6:1 ratio), 1.85:1 (the American "flat" ratio) and 2.35:1 (the CinemaScope/Panavision) ratio for anamorphic widescreen.

Powers cut out rectangles with equal areas, shaped to match each of the popular aspect ratios. When overlapped with their center points aligned, he found that all of those aspect ratio rectangles fit within an outer rectangle with an aspect ratio of 1.7:1 and all of them also covered a smaller common inner rectangle with the same aspect ratio 1.78:1.[4] The value found by Powers is exactly the geometric mean of the extreme aspect ratios, 4:3 and 2.40:1,

style\sqrt{47
15
}≈1.77 which is coincidentally close to 16:9. Applying the same geometric mean technique to 16:9 and 4:3 yields an aspect ratio of around 1.54:1, sometimes approximated as 14:9 (1.5:1), which is likewise used as a compromise between these ratios.[5]

While 16:9 (1.7:1) was initially selected as a compromise format, the subsequent popularity of HD broadcast has solidified 16:9 as perhaps the most common video aspect ratio in use.[6] Most 4:3 (1.3:1) and 21:9 video is now recorded using a "shoot and protect" technique that keeps the main action within a 16:9 (1.7:1) inner rectangle to facilitate 16:9 conversion and viewing.[7] Conversely it is quite common to use a technique known as center-cutting, to approach the challenge of presenting material shot (typically 16:9) to both an HD and legacy 4:3 audience simultaneously without having to compromise image size for either audience. Content creators frame critical content or graphics to fit within the 1.33:1 raster space. This has similarities to a filming technique called open matte.

In 1993, the European Union instituted the 16:9 Action Plan,[8] to accelerate the development of the advanced television services in 16:9 aspect ratio, both in PALplus (compatible with regular PAL broadcasts) and also in HD-MAC (an early HD format). The Community fund for the 16:9 Action Plan amounted to €228,000,000.

Over a long period in the late 2000s and early 2010s, the computer industry switched from 4:3 to 16:10 (1.60:1) and then to 16:9 as the most common aspect ratio for monitors and laptops. A 2008 report by DisplaySearch cited a number of reasons for this shift, including the ability for PC and monitor manufacturers to expand their product ranges by offering products with wider screens and higher resolutions, helping consumers to more easily adopt such products and "stimulating the growth of the notebook PC and LCD monitor market".[9] By using the same aspect ratio for both TVs and monitors, manufacturing can be streamlined and research costs reduced by not requiring two separate sets of equipment, and since a 16:9 is narrower than a 16:10 panel of the same length, more panels can be created per sheet of glass.[10] [11] [12]

In 2011, Bennie Budler, product manager of IT products at Samsung South Africa, confirmed that monitors with a native resolution of were not being manufactured anymore. "It is all about reducing manufacturing costs. The new 16:9 aspect ratio panels are more cost-effective to manufacture locally than the previous 16:10 panels".[13]

In March 2011, the 16:9 resolution became the most common used resolution among Steam's users. The previous most common resolution was (16:10).[14] By July 2022, 16:9 resolutions are preferred by 77% of users (with 67%; with 10%).[15]

Properties

16:9 is the only widescreen aspect ratio natively supported by the DVD format. An anamorphic PAL region DVD video frame has a maximum resolution of, but a video player software will stretch this to .

Producers can also choose to show even wider ratios such as 1.85:1 and 2.4:1 within the 16:9 DVD frame by hard matting or adding black bars within the image itself. Some films which were made in a 1.85:1 aspect ratio, such as the U.S.-Italian co-production Man of La Mancha and Kenneth Branagh's Much Ado About Nothing, fit quite comfortably onto a 1.7:1 HDTV screen and have been issued as an enhanced version on DVD without the black bars. Many digital video cameras also have the capability to record in 16:9.

Common resolutions

Common resolutions for 16:9 are listed in the table below:

WidthHeightName
640360nHD
854480FWVGA
960540qHD
1024576WSVGA
1280720HD
1366768FWXGA
1600900HD+
19201080Full HD
25601440QHD
32001800QHD+
384021604K UHD
51202880
768043208K UHD

Countries

Africa

CountryChannel
AlgeriaAlgérie 3
Echourouk TV
AngolaAll channels.
BeninAll channels.
BotswanaAll channels.
Burkina FasoAll channels.
BurundiAll channels.
CameroonAll channels.
Cape VerdeAll channels.
Central African RepublicAll channels.
ChadAll channels.
ComorosAll channels.
CongoAll channels.
All channels.
DjiboutiAll channels.
EgyptAll channels.
Equatorial GuineaAll channels.
All channels.
EthiopiaAll channels.
All channels.
GabonAll channels.
GhanaAll channels.
GuineaAll channels.
Guinea-BissauAll channels.
All channels.
KenyaAll channels.
LesothoAll channels.
LiberiaAll channels.
LibyaAll channels.
MadagascarAll channels.
MalawiAll channels.
MaliAll channels.
MayotteAll channels.
MoroccoAll channels.
MozambiqueAll channels.
MauritaniaAll channels.
MauritiusAll channels.
NamibiaAll channels.
NigerAll channels.
NigeriaAll channels.
RwandaAll channels.
Sao Tome and PrincipeAll channels.
SenegalAll channels.
SeychellesAll channels.
Sierra LeoneAll channels.
SomaliaAll channels.
South AfricaAll channels.
All channels.
SudanAll channels.
All channels.
TogoAll channels.
TunisiaAll channels.
UgandaAll channels.
ZambiaAll channels.
ZimbabweAll channels.

Americas

Country/TerritoryChannel
Antigua and BarbudaAll channels.
ArgentinaAll channels.
BahamasAll channels.
BarbadosAll channels.
BelizeAll channels.
BermudaAll channels.
Always on 16:9: PAT, ATB.
Often on 16:9: Bolivia TV.
BrazilChannels change between 16:9 and 4:3 pillarbox depending on what's airing.
All channels.
CanadaAll channels.
Cayman IslandsAll channels.
ChileAll channels. Expect Telecanal in 4.3 in ident 4:3 letterboxed in commercials.
ColombiaAll channels.
Costa RicaAll channels.
CubaAll channels.
All channels.
DominicaAll channels.
Dominican RepublicAll channels.
EcuadorAll channels.
El SalvadorAll channels.
GrenadaAll channels.
GuadeloupeAll channels.
GuatemalaAll channels.
GuyanaAll channels.
HaitiAll channels.
HondurasAll channels.
JamaicaAll channels.
Mexico

Free-to-air television: Las Estrellas, FOROtv, Canal 5, NU9VE, Televisa Regional, Azteca Uno, Azteca 7, a+, adn40, Imagen Televisión, Excélsior TV, Canal Once, Canal 22, Una Voz con Todos, Teveunam, Milenio Televisión, Multimedios Televisión, Teleritmo, and some local HD stations.

Pay television: U, Golden, Golden Edge, TL Novelas, Bandamax, De Película, De Película Clásico, Ritmoson Latino, TDN, TeleHit, Distrito Comedia, Tiin, Az Noticias, Az Clic!, Az Mundo, Az Corazón, Az Cinema, 52MX, TVC, TVC Deportes, Pánico, Cinema Platino, and Cine Mexicano.

MontserratAll channels.
NicaraguaAll channels.
PanamaAll channels.
ParaguayAlmost all channels on free-to-air television, especially HD feeds (ex.: RPC, NPY, Unicanal, channel 7 HD). SD feeds (usually found on pay television) are usually letterboxed and downscaled to 4:3 (ex.: SNT & Paravisión).
PeruAll channels.
Saint Kitts and NevisAll channels.
Saint LuciaAll channels.
Saint Pierre and MiquelonAll channels.
Saint Vincent and the GrenadinesAll channels.
SurinameAll channels.
Trinidad and TobagoAll channels.
United StatesAll HD channels. SD feeds are usually letterboxed and downscaled to 4:3.
All channels.
UruguayAll channels.
All channels.

Asia

Country/TerritoryChannel
AfghanistanAll channels.
BahrainAll channels.
BangladeshRTV, SA TV, Somoy TV.
BhutanAll channels.
All channels (Radio Television Brunei).
CambodiaAll channels.
ChinaCCTV channels 1–15, CCTV-5+, all CGTN channels. Older contents in 4:3 and news contents are stretched on SD variants of these channels as stretching on SD channels is common.
Hong KongAll channels.
IndiaAll HD channels. Most SD channels are still broadcasting in 4:3, either fullscreen or letterboxed.
IndonesiaAll channels.
All channels.
IraqAll channels.
IsraelAll channels.
Japan

All channels.

Japan pioneered its analogue HDTV system (MUSE) in 16:9 format, which started in the 1980s. There were also analog NTSC-compatible widescreen broadcasts using the Clear-Vision system. Currently all main channels have digital terrestrial television channels in 16:9. Many satellite broadcast channels are being broadcast in 16:9 as well.

JordanAll channels.
KuwaitAll channels.
KyrgyzstanAll channels.
All channels.
LebanonAll channels.
MalaysiaAll channels.
MaldivesAll channels.
MongoliaMNB & MN2, TM Television, TV5, TV6, TV8, Channel 25, Эx Орон, SBN, ETV, MNC, Eagle News TV, Edutainment TV, Star TV, SPS, Sportbox, and SHUUD TV.
MyanmarAll channels.
NepalKantipur Television Network, AP1 TV, News 24 (Nepal), TV Filmy, and Nepal Television.
All HD channels. Most SD channels are still broadcasting in 4:3, either fullscreen or letterboxed.
OmanAll channels.
PakistanAll HD channels. Most SD channels are still broadcasting in 4:3, either fullscreen or letterboxed.
All channels.
Philippines

16:9 native: PTV, ANC (both SD and HD), Kapamilya Channel (both SD and HD), A2Z, RPTV (both SD and HD), Aliw 23, One PH, One News (both SD and HD), One Sports+, Hope Channel Philippines, CCTN, CLTV36, 3ABN, Cinema One, Hope International, INCTV, Net 25, Front Row Channel, Living Asia Channel, Shop TV (both SD and HD), Solar All Access, Solar Sports, SolarFlix, Solar Learning, DZRH News Television, TeleRadyo Serbisyo, Truth Channel, all TAP DMV channels (TAP TV, TAP Edge, TAP Movies, TAP Action Flix, TAP Sports, Premier Sports, Premier Tennis, and Premier Football), BuKo, NBA TV Philippines, PBA Rush, UAAP Varsity Channel, One Media Network, Metro Channel (both SD and HD), Myx, Prime TV, all BEAM TV subchannels (except Knowledge Channel), Sari-Sari Channel, SMNI, SMNI News Channel, IBC, All TV, GMA, GTV and its other subchannels, TV5 (both SD and HD), One Sports (both SD and HD), UNTV, RJ DigiTV and its other subchannels, and TV Maria.

4:3 upscaled/stretched to 16:9: Light TV, Cine Mo!, Jeepney TV, Knowledge Channel, all Viva Communications channels (Celestial Movies Pinoy, Pinoy Box Office, Tagalized Movie Channel, and Viva Cinema), and UNTV (Ang Dating Daan only).

QatarAll beIN Sports channels, Al Jazeera Arabic, Al Jazeera English, Al Jazeera Mubasher, Qatar TV HD, and all Alkass channels.
Saudi ArabiaAll channels.
SingaporeAll channels. 16:9 contents are stretched because the format appears vertically stretched on older 4:3 sets. All 4:3 contents including news clips are also stretched.
All channels.
Sri LankaAll channels
All channels.
All channels.
TajikistanAll channels.
ThailandAll channels.
Timor-LesteAll channels.
TurkeyAll channels.
TurkmenistanAll channels.
United Arab EmiratesAll channels.
UzbekistanAll channels.
All channels.
YemenAll channels.

Europe

CountryChannel
AlbaniaAll channels.
AndorraAll channels.
ArmeniaAll channels.
AustriaAll channels.
AzerbaijanAll channels.
BelarusAll channels.
BelgiumAll channels.
Bosnia and HerzegovinaAll channels.
BulgariaAll channels.
CyprusAll channels.
CroatiaAll channels.
Czech RepublicAll channels.
DenmarkAll channels.
EstoniaAll channels.
FinlandAll channels.
FranceAll channels.
GermanyAll channels.
GeorgiaAll channels.
GibraltarAll channels.
GreeceAll channels.
HungaryAll channels.
IcelandAll channels.
IrelandAll channels.
ItalyAll channels.
KazakhstanAll channels.
All channels.
LatviaAll channels.
LithuaniaAll channels.
LuxembourgAll channels.
MaltaAll channels.
All channels.
MonacoAll channels.
MontenegroAll channels.
NetherlandsAll channels.
All channels.
NorwayAll channels.
PolandAll channels.
PortugalAll channels.
RomaniaAll channels.
All channels.
San MarinoAll channels.
SerbiaAll channels.
SlovakiaAll channels.
SloveniaAll channels.
SpainAll channels.
SwedenAll channels.
SwitzerlandAll channels.
UkraineAll channels.
United KingdomAll channels.

Oceania

Country/TerritoryChannel
American SamoaAll channels.
AustraliaAll channels.
Cook IslandsAll channels.
All channels.
FijiAll channels.
French PolynesiaAll channels.
GuamAll channels.
KiribatiAll channels.
Marshall IslandsAll channels.
NauruAll channels.
New CaledoniaAll channels.
New ZealandAll channels.
NiueAll channels.
PalauAll channels.
Papua New GuineaAll channels.
SamoaAll channels.
Solomon IslandsAll channels.
TongaAll channels.
TuvaluAll channels.
VanuatuAll channels.
Wallis and FutunaAll channels.

See also

External links

Notes and References

  1. Web site: Hoehler . Dieter . 2008-06-03 . A Brief Review on HDTV in Europe in the early 90's. Live-Production.TV.
  2. Web site: Recommendation ITU-R BT.1197-1 Enhanced wide-screen PAL TV transmission system (the PALplus system) . itu.int.
  3. Book: Recommendation ITU-R BT.1298 - Enhanced wide-screen NTSC TV transmission system . ITU . 1997.
  4. Understanding Aspect Ratios. Technical bulletin. CinemaSource. The CinemaSource Press. 2001. 2009-10-24.
  5. Method of showing 16:9 pictures on 4:3 displays. EN. 5956091. 1999-09-21.
  6. Web site: 2014-06-13. Why 16:9 aspect ratio was chosen for HD?. 2021-09-17. Guruprasad's Portal. en-US. 2021-11-16. https://web.archive.org/web/20211116072240/http://guruprasad.net/posts/why-16-9-aspect-ratio-was-chosen-for-hd/. dead.
  7. EBU. CH. Safe areas for widescreen transmission. I. Baker. BBC. 1999-08-25. 2009-10-27. https://web.archive.org/web/20101011055023/http://www.ebu.ch/en/technical/trev/trev_280-baker.pdf. 2010-10-11. dead.
  8. Web site: legislation summary. Television in the 16:9 screen format. Europa. EU. 2011-09-08.
  9. Web site: Product Planners and Marketers Must Act Before 16:9 Panels Replace Mainstream 16:10 Notebook PC and Monitor LCD Panels, New DisplaySearch Topical Report Advises. DisplaySearch. 2008-07-01. 2011-09-08.
  10. Web site: Display Ratio Change (again). 2009-04-14. 2020-01-22. 2020-03-02. https://web.archive.org/web/20200302211457/http://blog.lenovo.com/en/blog/display-ratio-change-again. dead.
  11. Web site: 16:10 vs 16:9 - the monitor aspect ratio conundrum. 2012-10-22 . 2020-01-22.
  12. Web site: Resurgence of 16:10 Aspect Ratio Laptop Computers to Occupy 2% Share of Non-Apple Market in 2020, Says TrendForce . 2019-04-11 . 2020-01-22.
  13. Web site: Widescreen monitors: Where did 1920×1200 go? « Hardware « MyBroadband Tech and IT News . Mybroadband.co.za . 2011-01-10 . 2011-09-08 .
  14. Web site: Steam Hardware & Software Survey . Steam . 2011-09-08 .
  15. Web site: Steam Hardware & Software Survey. store.steampowered.com.