1605 in music explained
The year 1605 in music involved some significant events.
Events
Publications
- Gregor Aichinger – Psalm 50 Miserere mei for eight, nine, ten, eleven, and twelve voices (Munich: Nikolaus Heinrich)
- Giammateo Asola – Madrigals for six voices (Venice: Ricciardo Amadino)
- Ippolito Baccusi – Italian: Le Vergini d'Ippolito Baccusi: second book of madrigals for three voices (Venice: Ricciardo Amadino), contains settings of text from Petrarch's
- Ludovico Balbi – Masses and motets for eight voices (Venice: Angelo Gardano), published posthumously, also includes a Te Deum
- Adriano Banchieri
- Italian: {{ill|Barca di Venezia per Padova|it, second book of madrigals for five voices, Op. 12 (Venice: Ricciardo Amadino)
- Italian: L'Organo suonarino, Op. 13 (Venice: Ricciardo Amadino), a collection of organ music and instructions for playing organ during mass[1]
- Giulio Belli – Latin: Compieta, mottetti, & letanie della Madonna for eight voices (two choirs with continuo) (Venice: Angelo Gardano)
- William Byrd – Latin: Gradualia, book one, for three, four, and five voices (London: Thomas East)
- Sethus Calvisius – German: Der Psalter Davids Gesangweis for four voices (Leipzig), a setting of the Becker Psalter
- Antonio Cifra – First book of madrigals for five voices (Rome: Luigi Zannetti)
- Giovanni Croce – Magnificats for eight voices (Venice: Giacomo Vincenti)
- Giacomo Finetti – Latin: Completorium for five voices (Venice: Ricciardo Amadino), music for Compline
- Melchior Franck – German: Deutsche Weltliche Gesäng und Täntze (German Secular Songs and Dances), Part 2, for four voices (Coburg)
- Andrea Gabrieli
- Italian: Canzoni alla francese et ricercari ariosi (Venice: Angelo Gardano), fifth book of his organ music, published posthumously
- Italian: Canzoni alla francese per sonar, sopra stromenti da tasti (Venice: Angelo Gardano), sixth and final book of his organ music, published posthumously
- Marco da Gagliano – Third book of madrigals for five voices (Venice: Angelo Gardano)
- Bartholomäus Gesius – German: Christliche Hauß und Tisch Musica (Christian House and Table Music) for four voices (Wittenberg: Lorenz Seuberlich for Paul Helwig)
- Ruggiero Giovannelli – First book of madrigals for three voices (Venice: Angelo Gardano)
- Tobias Hume – The first part of ayres (London: John Windet), a collection of songs accompanied by one or two viols
- Johannes Lippius – Italian: Fuga a 4 (Strasburg)
- Duarte Lobo – Magnificat for four voices (Antwerp: Plantin)
- Claudio Merulo – Third book of madrigals for six voices (Venice: Angelo Gardano), published posthumously
- Simone Molinaro
- First book of Magnificats for four voices (Milan: Simon Tini & Filippo Lomazzo)
- Italian: Concerti ecclesiastici for two and four voices (Venice: Ricciardo Amadino)
- Claudio Monteverdi – (Fifth book of madrigals for five voices) (Venice: Ricciardo Amadino)
- Benedetto Pallavicino – Latin: Sacrae dei laudes... (Venice: Ricciardo Amadino)
- Francis Pilkington – The first booke of songs or ayres of 4. parts (London: Thomas Este)
- Costanzo Porta
- Latin: Psalmodia vespertina for eight voices (Venice: Angelo Gardano), a collection of vespers psalms for every solemnity along with four Magnificats
- Motets for five voices (Venice: Angelo Gardano)
- Michael Praetorius – Latin: Musae Sionae, Part 1
- Enrico Antonio Radesca – First book of canzonettas, madrigals and arie alla romana for two voices (Milan: Simon Tini & Filippo Lomazzo)
- Tomás Luis de Victoria – Latin: [[Officium Defunctorum (Victoria)|Officium Defunctorum]], sex vocibus, in obitu et obsequiis sacrae imperatricis
Opera
Births
Deaths
Notes and References
- Bonta. Stephen. The Uses of the 'Sonata de Chiesa'. Richmond, Va.. Journal of the American Musicological Society. Spring 1969. 22. 1. 0003-0139. American Musicological Society. 56. 830812. 10.2307/830812.