1602 in music explained
Events
Publications
- February – Giulio Caccini – Italian: Le nuove musiche [1] (The New Music), published in Florence
- Agostino Agazzari – Latin: Sacrae cantiones, book 1 (Rome: Aloysio Zannetti)
- Gregor Aichinger – Latin: Divinae laudes ex floridis Jacobi Pontani potissimum decerptae (Augsburg: Officina Praetoriana), settings of selections from the Floridorum of, for three voices
- Felice Anerio
- Second book of Latin: Sacri [[hymn]]i et [[canticle|cantica]] (Rome: Aloysio Zannetti)
- Second book of madrigals for six voices (Rome: Luigi Zannetti)
- Giammateo Asola
- Ippolito Baccusi – Latin: Psalmi qui diebus festivus a Sancta Romana Ecclesia in vesperis decantari solent for five voices (Venice: Ricciardo Amadino)
- Giovanni Bassano – First book of madrigals and canzonettas for soprano or bass voice with lute or other plucked instrument (Venice: Giacomo Vincenti)
- Lodovico Bellanda – First book of madrigals for five voices (Venice: Ricciardo Amadino)
- Aurelio Bonelli – First book of ricercars and canzonas for four voices (Venice: Angelo Gardano)
- Christoph Demantius – Latin: Trias precum vespertinarum for four, five, and six voices and instruments (Nuremberg: Catharina Dieterich for Konrad Agricola), a collection of music for Vespers
- Scipione Dentice – Fourth book of madrigals for five voices (Naples: Antonio Pace)
- Stefano Felis – Ninth book of madrigals for five voices (Venice: Giacomo Vincenti)
- Melchior Franck
- German: Musicalischer Bergkreyen for four voices (Nuremberg: Konrad Baur), a collection of secular partsongs
- German: Farrago for six voices (Nuremberg: Katharina Dieterich), a collection of secular partsongs
- Latin: Contrapuncti composti for four voices (Nurember: Konrad Baur), a collection of psalms and other church songs in German
- Marco da Gagliano – First book of madrigals for five voices (Venice: Angelo Gardano)
- Bartholomäus Gesius – German: Ein Gesang Vom Lob und Preiß der Edlenfreyen Kunst Musica for six voices (Frankfurt an der Oder: Friedrich Hartmann), a song in praise of Music
- Pierre Guédron – French: Airs de cours for four and five voices (Paris: Ballard)
- Claude Le Jeune – First book of psalms for three voices (Paris: widow of R. Ballard)
- Alonso Lobo – First book of masses (Madrid: Joannes Flandre)
- Duarte Lobo – Latin: Opuscula Natalitiae noctis responsoria for four and eight voices (Antwerp: Plantin), a collection of liturgical music
- Tomaso Pecci – Madrigals for five voices (Venice: Angelo Gardano), also contains two pieces by Mariano Tantucci
- Andreas Pevernage – Masses for five, six, and seven voices (Antwerp: Pierre Phalèse), published posthumously
- Costanzo Porta – Latin: Hymnodia sacra for four voices (Venice: Angelo Gardano), a collection of hymns for the whole year
- Hieronymus Praetorius – Magnificats for eight voices (Hamburg: Philip von Ohr)
- Orfeo Vecchi
- Third book of masses for five voices (Milan: Agostino Tradate)
- Italian: La Donna vestita di sole, coronata di stelle, calcante la luna (Milan: the heirs of Simon Tini & Giovanni Francesco Besozzi), a madrigal cycle
- Lodovico Grossi da Viadana – Cento concerti ecclesiastici (One Hundred Church Concertos), the first major publication to make extensive use of figured bass
Opera
Births
Deaths
Notes and References
- Le nuove musiche was published in 1602 per the Gregorian calendar. Some sources list 1601, based on the Julian calendar, as the publication date.