'Pataphysics Explained

'Pataphysics (French: 'pataphysique) is a "philosophy" of science invented by French writer Alfred Jarry (1873–1907) intended to be a parody of science.[1] Difficult to be simply defined or pinned down, it has been described as the "science of imaginary solutions".[2]

Introduction

'Pataphysics was a concept expressed by Jarry in a mock-scientific manner, with undertones of spoofing and quackery, as expounded in his novel Exploits and Opinions of Dr. Faustroll, Pataphysician. Here, Jarry toyed with conventional concepts and interpretations of reality. Another attempt at a definition interprets 'pataphysics as an idea that "the virtual or imaginary nature of things as glimpsed by the heightened vision of poetry or science or love can be seized and lived as real". Jarry defines 'pataphysics in a number of statements and examples, including that it is "the science of imaginary solutions, which symbolically attributes the properties of objects, described by their virtuality, to their lineaments". A practitioner of 'pataphysics is a pataphysician or a pataphysicist.

Definitions

One definition of 'pataphysics is that it is "a branch of philosophy or science that examines imaginary phenomena that exist in a world beyond metaphysics; it is the science of imaginary solutions."[3] Jean Baudrillard defines 'pataphysics as "the imaginary science of our world, the imaginary science of excess, of excessive, parodic, paroxystic effects - particularly the excess of emptiness and insignificance".[4]

There are over one hundred definitions of 'pataphysics. Some examples are shown below.

Etymology

The word pataphysics is a contracted formation that derives from the Greek Greek, Ancient (to 1453);: τὰ ἐπὶ τὰ μεταφυσικά (tà epì tà metaphusiká). It is a phrase/expression that mean "that which is above metaphysics". It is itself a sly variation on the title of Aristotle's Metaphysics, which in Greek is "Greek, Ancient (to 1453);: τὰ μετὰ τὰ φυσικά" (tà metà tà phusiká).

Jarry mandated the inclusion of the apostrophe in both the words 'pataphysique and 'pataphysics "... to avoid a simple pun". The words pataphysician or pataphysicist and the adjective pataphysical should not include the apostrophe. Only when consciously referring to Jarry's science itself should the word 'pataphysics carry the apostrophe.

The term pataphysics is a paronym (considered a kind of pun in French) of metaphysics. Since the apostrophe in no way affects the meaning or pronunciation of pataphysics, this spelling of the term is a sly notation, to the reader, suggesting a variety of puns that listeners may hear, or be aware of. These puns include patte à physique ("physics paw"), as interpreted by Jarry scholars Keith Beaumont and Roger Shattuck, pas ta physique ("not your physics"), and pâte à physique ("physics paste").

History

The term first appeared in print in the text of Alfred Jarry's play Guignol in the 28 April 1893 issue of L'Écho de Paris littéraire illustré, but it has been suggested that the word has its origins in the same school pranks at the lycée in Rennes that led Jarry to write Ubu Roi. Jarry considered Ibicrates and Sophrotatos the Armenian as the fathers of this "science".

The Collège de 'Pataphysique

The Collège de 'Pataphysique, founded in 1948 in Paris, France, is "a society committed to learned and inutilious research". (The word 'inutilious' is synonymous with 'useless'.) The motto of the college is Latin: [[Eadem mutata resurgo]] ("I arise again the same though changed").

The permanent head of the college is the Inamovable Curator, Dr. Faustroll, assisted by Bosse-de-Nage (Starosta): both are fictional.

The Vice-Curator is the "first and most senior living entity" in the college's hierarchy. The Vice-Curatrice is Tanya Peixoto of the London Institute of 'Pataphysics and Bookartbookshop.[5] She was elected in 2014 to succeed Her Magnificence Lutembi – a crocodile – who succeeded Opach, the Baron Mollet, and Doctor Sandomir.

Jean-Christophe Averty was appointed Satrap in 1990.

Publications of the college, generally called Latin: Viridis Candela ("green candle"), include the Cahiers, Dossiers, the Subsidia Pataphysica and since september 2021, the Spéculations.[6] [7]

Notable members have included Marcel Duchamp, Joan Miró, Eugène Ionesco,[8] Noël Arnaud, Jean Baudrillard, Jean-Christophe Averty, René Daumal, Luc Étienne, François Le Lionnais, Jean Lescure, Raymond Queneau, Boris Vian, Jacques Carelman, Man Ray, Max Ernst, Julien Torma, Roger Shattuck, Groucho, Chico and Harpo Marx, Philippe de Chérisey, Rolando Villazón, Fernando Arrabal and Gavin Bryars. The Oulipo began as a subcommittee of the college.[9]

Offshoots of the Collège de 'Pataphysique

Although France had been always the centre of the pataphysical globe, there are followers in different cities around the world. In 1966 Juan Esteban Fassio was commissioned to draw the map of the Collège de 'Pataphysique and its institutes abroad.

The college stopped its public activities between 1975 and 2000, referred to as its occultation. However through that time, Germany, Sweden, Switzerland, Canada, The Netherlands, and many other countries showed that the internationalization of 'pataphysics was irreversible.

In the 1950s, Buenos Aires in the Western Hemisphere and Milan in Europe were the first cities to have 'pataphysical institutes. London, Edinburgh, Budapest, and Liège, as well as many other European cities, caught up in the sixties.

Czechoslovakia

During the communist era, a small group of 'pataphysicists in Czechoslovakia started a journal called PAKO, or Pataphysical Collegium. Jarry's plays had a lasting impression on the country's underground philosophical scene.

London Institute of 'Pataphysics

The London Institute of 'Pataphysics was established in September 2000 to promote 'pataphysics in the English-speaking world. The institute has various publications, including a journal, and has six departments:[10] Bureau for the Investigation of Subliminal Images, Committee for Hirsutism and Pogonotrophy, Department of Dogma and Theory, Department of Potassons, Department of Reconstructive Archaeology, and The Office of Patentry.

The institute also contains a pataphysical museum and archive and organised the Anthony Hancock Paintings and Sculptures exhibition in 2002.[11]

The official orchestra of the London Institute of 'Pataphysics is the London Snorkelling Team.

Peter Blegvad has been the president of the London Institute of 'Pataphysics since 2011.[12]

Musée Patamécanique

Musée Patamécanique is a private museum located in Bristol, Rhode Island.[13] Founded in 2006, it is open by appointment only to friends, colleagues, and occasionally to outside observers. The museum is presented as a hybrid between an automaton theatre and a cabinet of curiosities and contains works representing the field of Patamechanics, an artistic practice and area of study chiefly inspired by 'pataphysics.

Examples of exhibits include a troupe of singing animatronic chipmunks, a time machine the museum says is the world's largest automated phenakistoscope, an olfactory clock, a chandelier of singing animatronic nightingales, an Undigestulator (a device that purportedly reconstitutes digested foods), a peanuts enlarger, a syzygistic oracle, the earolin (a 24-inch tall holographic ear that plays the violin), and a machine for capturing the dreams of bumble bees.[14]

'Pataphysics Institute in Vilnius

A 'Pataphysics Institute opened in Vilnius, Lithuania in May 2013.[15]

Concepts

Clinamen : A clinamen is the unpredictable swerve of atoms that poet Christian Bök calls "... the smallest possible aberration that can make the greatest possible difference". An example is Jarry's merdre, a swerve of French: merde ("shit").
Antinomy : An antinomy is the mutually incompatible. It represents the duality of things, the echo or symmetry, the good and the evil at the same time. Hugill mentions various examples including the plus-minus, the faust-troll, the haldern-ablou, the yes-but, the ha-ha and the paradox.
  • Syzygy : The syzygy originally comes from astronomy and denotes the alignment of three celestial bodies in a straight line. In a pataphysical context it is the pun. It usually describes a conjunction of things, something unexpected and surprising. Serendipity is a simple chance encounter but the syzygy has a more scientific purpose. Bök mentions Jarry suggesting that the fall of a body towards a centre might not be preferable to the ascension of a vacuum towards a periphery.
  • Absolute : The absolute is the idea of a transcended reality.
    Anomaly : An anomaly represents the exception. Jarry said that, "Pataphysics will examine the laws governing exceptions, and will explain the universe supplementary to this one." Bök calls it "... the repressed part of a rule which ensures that the rule does not work".
    Pataphor : A pataphor is an unusually extended metaphor based on 'pataphysics. As Jarry claimed that 'pataphysics exists "... as far from metaphysics as metaphysics extends from regular reality", a pataphor attempts to create a figure of speech that exists as far from metaphor as metaphor exists from non-figurative language.[16]

    Pataphysical calendar

    The pataphysical calendar[17] is a variation of the Gregorian calendar. The Collège de 'Pataphysique created the calendar[18] in 1949. The pataphysical era (E.P.) started on Jarry's birthday, 8 September 1873 vulg. When converting pataphysical dates to Gregorian dates, the appendage (vulg.) for vulgate ("common") is added.

    The week starts on a Sunday. Every 1st, 8th, 15th, and 22nd is a Sunday and every 13th day of a month falls on a Friday (see Friday the 13th). Each day is assigned a specific name or saint. For example, the 27 Haha (1 November vulg.) is called French: Occultation d'Alfred Jarry or the 14 Sable (14 December vulg.) is the day of French: Don Quichote, champion du monde.

    The year has a total of 13 months each with 29 days. The 29th day of each month is imaginary with two exceptions:

    The table below shows the names and order of months in a pataphysical year with their corresponding Gregorian dates and approximate translations or meanings by Hugill.

    Starts Ends Translation
    Absolu 8 September 5 October Absolute
    Haha 6 October 2 November Ha Ha
    As 3 November 30 November Skiff
    Sable 1 December 28 December Sand or heraldic black
    Décervelage 29 December 25 January Debraining
    Gueules 26 January 22 February Heraldic red or gob
    Pédale 23/24 February 22 March Bicycle pedal
    Clinamen 23 March 19 April Swerve
    Palotin 20 April 17 May Ubu's henchmen
    Merdre 18 May 14 June Pshit
    Gidouille 15 June 13 July Spiral
    Tatane 14 July 10 August Shoe or being worn out
    Phalle 11 August 7 September Phallus

    For example:

    Works influenced by 'Pataphysics

    In the 1960s 'pataphysics was used as a conceptual principle within various fine art forms, especially pop art and popular culture. Works within the pataphysical tradition tend to focus on the processes of their creation, and elements of chance or arbitrary choices are frequently key in those processes. Select pieces from the artist Marcel Duchamp and the composer John Cage characterize this. At around this time, Asger Jorn, a pataphysician and member of the Situationist International, referred to 'pataphysics as a new religion.[19]

    In literature

    In 1948 Raymond Queneau, Jean Genet, and Eugène Ionesco founded Collège de pataphysique and published OULIPO,which influenced the following writers:

    In music

    In visual art

    In online fiction

    In architecture

    Pataphor

    The pataphor (Spanish; Castilian: patáfora, French: pataphore), is a term coined by writer and musician Pablo Lopez, for an unusually extended metaphor based on Alfred Jarry's "science" of 'pataphysics'.[38] [39]

    As Jarry claimed that 'pataphysics existed "as far from metaphysics as metaphysics extends from regular reality", a pataphor attempts to create a figure of speech that exists as far from metaphor as metaphor exists from non-figurative language. Whereas a metaphor compares a real object or event to a seemingly unrelated subject to emphasize their similarities, the pataphor uses the newly created metaphorical similarity as a reality on which to base itself. In going beyond mere ornamentation of the original idea, the pataphor seeks to describe a new and separate world, in which an idea or aspect has taken on a life of its own.[40] [41]

    Like 'pataphysics itself, pataphors essentially describe two degrees of separation from reality (rather than merely one degree of separation, which is the world of metaphors and metaphysics). The pataphor may also be said to function as a critical tool, describing the world of "assumptions based on assumptions" – such as belief systems or rhetoric run amok. The following is an example:

    Thus, the pataphor has created a world where the chessboard exists, including the characters who live in that world, entirely abandoning the original context.

    The pataphor has been subject to commercial interpretations,[42] usage in speculative computer applications,[43] applied to highly imaginative problem solving methods[44] and even politics on the international level.[45] The Firesign Theatre is a comedy troupe whose jokes often rely on pataphors. There is a band called Pataphor[46] and an interactive fiction in the Interactive Fiction Database called "PataNoir", based on pataphors.[47] [48] Pataphor is used by the Writer's Program at the University of North Florida, and has appeared in works affiliated with the Maria Curie-Skłodowska University.[49]

    Pataphors have been the subject of art exhibits, as in Tara Strickstein's 2010 "Pataphor" exhibit at Next Art Fair / Art Chicago,[50] other artworks,[51] and architectural works.[52] Pataphors have also been used in literary criticism,[53] and mentioned in Art in America.[54]

    There is also a book of pataphorical art called Pataphor by Dutch artist Hidde van Schie.[55]

    In The Disappearance of Literature: Blanchot, Agamben, and the Writers of the No,[56] Aaron Hillyer writes:

    See also

    References

    Bibliography

    External links

    Notes and References

    1. Pataphysics . merriam-webster.com . 26 September 2020 . en.
    2. Book: Hill, Phillip G. . 1995 . Our Dramatic Heritage . 6 . Fairleigh Dickenson . 31 . 0-8386-3421-4.
    3. Pataphysics . American Heritage Dictionary . Dictionary.com . https://web.archive.org/web/20150927080334/http://dictionary.reference.com/browse/pataphysics?r=66 . 27 September 2015.
    4. Book: Baudrillard . Jean . The Perfect Crime . 2008 . Verso . 978-1-84467-203-5 . 71.
    5. Web site: Fifth Magisterium of Her Magnificence Tanya Peixoto . patakosmos.com . 7 May 2018 . live . https://web.archive.org/web/20170712130012/https://www.patakosmos.com/tanya-peixoto/ . 12 July 2017.
    6. Web site: List of publications . Collège de 'Pataphysique . https://web.archive.org/web/20120426110525/http://www.college-de-pataphysique.org/college/accueil_files/Patalogue_Avril_2010.pdf . 26 April 2012.
    7. Web site: Journal - Collège de 'Pataphysique . 2024-04-28 . www.college-de-pataphysique.fr.
    8. Web site: An introduction to 'Pataphysics . The Guardian . 9 December 2005 . 8 October 2021.
    9. Book: Motte, Warren . Oulipo: A Primer of Potential Literature . Dalkey Archive Press . 2007 . 978-1-56478-187-1 . 1.
    10. Web site: Institute of 'Pataphysics . London, UK . main page . https://web.archive.org/web/20171224213659/https://www.atlaspress.co.uk/theLIP/ . 24 December 2017.
    11. Web site: Anthony Hancock paintings and sculptures . exhibition . atlaspress.co.uk . https://web.archive.org/web/20171224213635/https://www.atlaspress.co.uk/theLIP/dora-hancock.html . 24 December 2017.
    12. News: Russell . Anna . 2023-11-20 . Milk, the Book! . 2024-02-11 . The New Yorker . en-US . 0028-792X.
    13. Web site: Musée Patamécanique . main page . https://web.archive.org/web/20141005190744/http://www.museepata.org/welcome.html . 5 October 2014.
    14. Web site: Exhibition . Musée Patamécanique . https://web.archive.org/web/20141005184524/http://www.museepata.org/EXHIBITION.html . 5 October 2014.
    15. Web site: The opening of the Vilnius Pataphysics Institute . Rupert . rupert.lt . lt-LT . 12 June 2017 . live . https://web.archive.org/web/20171016070035/http://rupert.lt/lt/the-opening-of-vilnius-institute-of-pataphysics/ . 16 October 2017.
    16. Web site: Paul Avion's pataphor . paulavion.com . https://web.archive.org/web/20070621012704/http://www.paulavion.com/pata.html . 21 June 2007.
    17. Web site: Electronic . The pataphysical calendar . fr . https://web.archive.org/web/20130301023115/http://www.college-de-pataphysique.org/college/accueil_files/calenpat.pdf . 1 March 2013. .
    18. Patalogue Avril 2010 . Reference number 1230 . 1954 . Collège de 'Pataphysique . Catalogue . http://www.college-de-pataphysique.org/college/accueil_files/Patalogue_Avril_2010.pdf . https://web.archive.org/web/20120426110525/http://www.college-de-pataphysique.org/college/accueil_files/Patalogue_Avril_2010.pdf . 26 April 2012.
    19. Web site: Asger Jorn's "Pataphysics: A religion in the making" . live . https://web.archive.org/web/20130605180559/http://www.cddc.vt.edu/sionline/si/pataphysics.html . 5 June 2013.
    20. . Sethi . Robbie Clipper . Boris Vian: 'Blues for a Black Cat' . book review . Studies in Short Fiction . 30 . 3 . Summer 1993 . 406 . His critics call his method in these stories 'pataphysical.'.
    21. News: Intern . 8 August 2014 . Review: Oulipo Compendium . Boston Review . en . 9 November 2020.
    22. Book: Vian, B. . Boris Vian . 2014 . If I Say if: The poems and short stories of Boris Vian . 978-1-922064-62-2 . Rolls . Alistair . 9 . 10.20851/vian-if . 2440/83660 . West-Sooby . John . Fornasiero . Jean.
    23. Gac . Roberto . René Daumal et l'enseignement de Gurdjieff : René Daumal, le perpétuel incandescent, Ouvrage collectif aux édition Le bois d'Orion (2008) . Sens Public . 3 February 2016 . 10.7202/1043376ar . free.
    24. Book: 10.4324/9781315113081-9 . Handspring Puppet Company . Documentary Vanguards in Modern Theatre . 2017 . Youker . Timothy . 163–179 . 978-1-315-11308-1.
    25. Clapp . Jeffrey . 8 August 2021 . Jeff van der Meer, or the novel trapped in the open world . Critique: Studies in Contemporary Fiction . 62 . 4 . 414–427 . 10.1080/00111619.2020.1816890 . 224913909.
    26. Book: Redhead, Steve . 2008 . The Jean Baudrillard Reader . Columbia University Press . 978-0-231-14613-5 . 6–7.
    27. Han . Ji-Ae . 28 October 2016 . The notion and forms of pataphor in science educational contents design . Journal of Digital Convergence . 14 . 10 . 399–406 . 10.14400/jdc.2016.14.10.399 . free.
    28. News: That Ubu that you do . 25 April 2008 . Pop and rock . The Guardian . 8 March 2022.
    29. Baxter . Ed . September 1998 . 100 Records that set the world on fire ... while no one was listening . The Wire . 35–36.
    30. Web site: Music . Andrew Hugill . 16 January 2014 . dead . https://web.archive.org/web/20130726201022/http://andrewhugill.com/music.html . 26 July 2013.
    31. Web site: Pataphysical Piano – The sounds and silences of Andrew Hugill by various artists . UHRecordings.co.uk . 16 January 2014 . dead . https://web.archive.org/web/20150610224204/http://uhrecordings.co.uk/_shop/albums/UHR/pataphysical-piano.aspx . 10 June 2015.
    32. Web site: James E. Brewton (1930–1967) – Programs – Slought . 7 May 2018 . slought.org . live . https://web.archive.org/web/20180507100834/https://slought.org/resources/james_brewton . 7 May 2018.
    33. Web site: Nickle Galleries . . nickle.ucalgary.ca . en . 10 March 2018 . live . https://web.archive.org/web/20171026193442/http://nickle.ucalgary.ca/ . 26 October 2017.
    34. Web site: Laboratory of Feminist Pataphysics Presents: Ateliert of the Near Future – Mireille Perron . Stride Gallery (stride.ab.ca) . 19 February 2018 . en-US . 10 March 2018 . live . https://web.archive.org/web/20180311140906/http://www.stride.ab.ca/laboratory-of-feminist-pataphysics-presents-ateliers-of-the-near-future-mireille-perron/ . 11 March 2018.
    35. Web site: SCP-2747 - SCP Foundation . 2024-01-26 . The SCP Foundation . en.
    36. Web site: Where We Go When We Fade, Fade Away . 13 April 2018 . SCP-3309 . . 4 October 2020.
    37. Web site: SCP-5999 - SCP Foundation . 2024-01-27 . The SCP Foundation . en.
    38. Web site: 10 Supremely nerdy language tidbits . 21 March 2013 . Listverse . https://web.archive.org/web/20150506212851/http://listverse.com/2013/03/21/10-supremely-nerdy-language-tidbits/ . 6 May 2015 . live . 18 April 2015.
    39. Web site: Pataphor . unf.edu . 3 May 2016 . live . https://web.archive.org/web/20161017024714/http://www.unf.edu/groups/riverhouse/Parlor/Pataphor.html . 17 October 2016.
    40. Web site: El Clarín . El Clarin de Chile . 9 July 2022 . es.
    41. Les Cahiers du Collège de 'Pataphysique . 22 December 2005 . Collège de 'Pataphysique.
    42. Web site: "Coke ... it's the Real Thing" not a real thing . 31 January 2012 . Notarealthing.com . 16 January 2014 . dead . https://web.archive.org/web/20140108111530/http://www.notarealthing.com/2010/04/coke-its-the-real-thing/ . 8 January 2014.
    43. Web site: Ill-Posed Philosophy . 23 February 2006 . Illposed.com . 16 January 2014 . live . https://web.archive.org/web/20131207183707/http://www.illposed.com/philosophy/pataprogramming.html . 7 December 2013.
    44. Web site: Findlay . John . 3 July 2010 . Wingwams: Playing with pataphors . Wingwams.blogspot.com . 16 January 2014 . live . https://web.archive.org/web/20140221141452/http://wingwams.blogspot.com/2010/07/playing-with-pataphors.html . 21 February 2014.
    45. Web site: Patafísica y patáforas . El Clarín de Chile . Elclarin.cl . 16 January 2014 . dead . https://web.archive.org/web/20131126142044/http://www.elclarin.cl/index.php?option=com_content&task=view&id=5947&Itemid=1189 . 26 November 2013.
    46. Web site: Pataphor . Pataphor.bandcamp.com . 16 January 2014 . live . https://web.archive.org/web/20131127151959/http://pataphor.bandcamp.com/ . 27 November 2013.
    47. Web site: PataNoir – Details . Ifdb.tads.org . 16 January 2014 . live . https://web.archive.org/web/20131127134907/http://ifdb.tads.org/viewgame?id=si9s1jktywxj5vdk . 27 November 2013.
    48. Web site: Parchment . Iplayif.com . 16 January 2014 . live . https://web.archive.org/web/20120725085738/http://iplayif.com/?story=http%3A%2F%2Fifarchive.org%2Fif-archive%2Fgames%2Fglulx%2FPataNoir.gblorb . 25 July 2012.
    49. Web site: Kowalewski . Hubert . 2014 . "The Life of Insects" as a pataphor . Workshop of Pataphysical Semiotics . serwisy.umcs.lublin.pl . 3 May 2016 . dead . https://web.archive.org/web/20160602184130/http://serwisy.umcs.lublin.pl/hubert.kowalewski/en/articles/life-of-insects-as-a-pataphor.html . 2 June 2016.
    50. Web site: Tara Strickstein's "Pataphor" at Next Art Fair / Art Chicago 2010 . Art Talk Chicago . ChicagoNow.com . 16 January 2014 . live . https://web.archive.org/web/20140109154250/http://www.chicagonow.com/art-talk-chicago/2010/05/tara-stricksteins-pataphor-at-next-art-fairart-chicago-2010/ . 9 January 2014.
    51. Web site: Crest . Russ . 3 April 2014 . Website builder made with color presents: The installations of Linville and McKenzie . Beautiful / Decay . 3 May 2016 . live . https://web.archive.org/web/20160603003005/http://beautifuldecay.com/2014/04/03/website-builder-made-color-presents-installations-linville-mckenzie/ . 3 June 2016.
    52. Web site: Swipes and changeups with Mike Nesbit . Features – Archinect . Art + Architecture . archinect.com . 3 May 2016 . live . https://web.archive.org/web/20160407113310/http://archinect.com/features/article/141826948/art-architecture-swipes-and-changeups-with-mike-nesbit . 7 April 2016.
    53. Web site: A collaborative review of Amy Catanzano's Starlight in Two Million . 22 May 2015 . Queen Mob's Tea House . en-GB . 3 May 2016 . live . https://web.archive.org/web/20170720225646/http://queenmobs.com/2015/05/a-collaborative-review-of-amy-catanzanos-starlight-in-two-million/ . 20 July 2017.
    54. Web site: NEXT Art Fair . Events – Art in America . artinamericamagazine.com . 3 May 2016 . dead . https://web.archive.org/web/20160603160444/http://www.artinamericamagazine.com/news-features/events/next-art-fair/ . 3 June 2016.
    55. Web site: Pataphor – Hidde van Schie . TENT Rotterdam . en-US . 3 May 2016 . live . https://web.archive.org/web/20160602195858/http://www.tentrotterdam.nl/en/event/pataphor_hidde_van_schie-2/ . 2 June 2016.
    56. Book: The Disappearance of Literature: Blanchot, Agamben, and the Writers of the No . reprint . Bloomsbury Academic . 2015 . 978-1-5013-0680-8 . en.